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Seller's Description:
USED Very Good. (From the last two pages: ) Published on the occasion of the Cheim & Read exhibition April 5--May 12 2018. Design John Cheim. Essay Jenni Sorkin. Editor Ellen Robinson. Binding tight. Pages unmarked except for erased pencil-price on first title page. Cover has some rubbing.
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Seller's Description:
4to. 76 pp. Very Good+. Hard Cover. Illustrated paper covered boards. Color plates throughout. Many of Amer's paintings make art historical references in subversive and humorous ways. White Girls and White-RFGA subtly makes racial commentary, critiquing whiteness as a convention while addressing Robert Ryman. Landscape with Black Mountains-RFGA conflates the female form as a pastoral setting. The cascading and pooling thread, omnipresent in Amer's work, recalls Jackson Pollock. Sorkin writes in the catalogue essay, "Ghada Amer has utilized the lush landscape of the art historical past from which to plunder--re-casting the role of women as subject, versus object. This exhibition will present, for the first time in depth, the artist's recent foray into ceramics. ISBN: 1944316132 9781944316136.
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Seller's Description:
VG. White and illustrated boards with black lettering. Unpaginated. Mainly color illustrations. "Many of Amers paintings make art historical references in subversive and humorous ways. White Girls and White-RFGA subtly makes racial commentary, critiquing whiteness as a convention while addressing Robert Ryman. Landscape with Black Mountains-RFGA conflates the female form as a pastoral setting. The cascading and pooling thread, omnipresent in Amers work, recalls Jackson Pollock. Sorkin writes in the catalogue essay, Ghada Amer has utilized the lush landscape of the art historical past from which to plunderre-casting the role of women as subject, versus object. This exhibition will present, for the first time in depth, the artists recent foray into ceramics."-FirstSearch.