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Fine. Contains: Unspecified. Illustrated in black and white throughout. Intended for college/higher education audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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New. Contains: Unspecified. Illustrated in black and white throughout. Intended for college/higher education audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Fair. Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.
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New. 'Complete Writings 1959-1975' was first published in 1975 by The Press of the Nova Scotia College of Art and Design, and since then it has been the primary source for Donald Judd's early writing. Working as an art critic for the magazines 'Arts, ' 'Arts Magazine' and, later, 'Art International, ' Judd regularly contributed reviews of contemporary art exhibitions between 1959 and 1965, but continued to write throughout his life on a broad range of subjects. In his reviews and essays, Judd discussed in detail the work of more than 500 artists showing in New York in the early and mid-1960s, and provided a critical account of this significant era of art in America. While addressing the social and political ramifications of art production, the writings frequently addressed the work of such artists as Jackson Pollock, Kazimir Malevich, Barnett Newman, Ad Reinhardt, Lee Bontecou, Yayoi Kusama, John Chamberlain, Dan Flavin, Kenneth Noland and Claes Oldenburg. Judd's essay 'Specific Objects, ' first published in 1965, remains central to the analysis of the new art developed in the early 1960s. Other essays included in this publication are 'Complaints I' (1969), 'Complaints II' (1973) and his previously unpublished essay 'Imperialism, Nationalism and Regionalism' (1975), all of which establish the polemical importance of Judd's writing. Donald Judd (1928-94) was born in Excelsior Springs, Missouri, and after having served in the United States Army, attended the College of William and Mary, Williamsburg, Virginia, and Columbia University, New York, where he received a BS in Philosophy, cum laude, in 1953. Studying at the Art Students League, Judd began his artistic career as a painter and transitioned to three-dimensional work in the early 1960s. Throughout his lifetime, in his writings and his work, he advocated for the importance of art and the artist's role in society.
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VG+ Yellow soft covers. 228 pp: illustrations. Contents as follows: Reviews for Art news, September-November 1959--Reviews for Arts, December 1959-June 1960--October 1960-January 1961--Bookreview: Jackson Pollock by Bryan Robertson--Reviews for Arts, February-May/June 1961--Reviews for Arts magazine, January-May/June 1962--September 1962--December 1962--New York City--a world art center--Reviews for Arts magazine, January-February 1963--Kandinsky in his Citadel--Reviews for Arts magazine, March 1963--Letters to the editor, Arts magazine, March 1963, April 1963--Reviews for Arts magazine, April-May/June 1963--September-November 1963--Bookreview: Interaction of color by Josef Albers--Kansas City report--Reviews for Arts magazine, December 1963--Chamberlain: another view--Reviews for Arts magazine, January-February 1964--Facsimile of editor's page from Arts magazine and Letter to the editor, March 1964--Letters--Black, white and gray--Reviews for Arts magazine, March-April 1964--Letter to the editor, Arts magazine, May/June 1964--Reviews for Arts magazine, May/June 1964--At the Fair--Reviews for Arts magazine, September-December 1964--Local history--Reviews for Arts magazine, January-March 1965--Facsimiles of correspondence with Art international--Reviews for Arts international, April 1965--Lee Bontecou--Reviews for Arts international, May 1965--Statement--Specific objects--John Chamberlain--Statement--Claes Oldenburg--Statements--Jackson Pollock--Answers in response to questions "Artists on museums"--Statements--Complaints: part 1--Aspects of Flavin's work--Barnett Newman--General statement, WOHO and Greater Westbeth for Newspaper-Lower Manhattan Township, January, April, May 1971--Quotes for War Registers League--Complaints: part 2--Malevich: independent form, color, surface--To encourage sculpture--Letter to the editor, Arts magazine, February 1967; Letter to Irving Sandler--Facsimile of advertisement from The Aspen times, August 29, 1968--Imperialism, nationalism and regionalism.