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Seller's Description:
Very Good. This is a very good softcover copy with just light wear. Completely clean inside and out. The spine is not creased, binding firm. Slight bump to lower right corner of text block. This monograph was prepared to accompany the exhibition at the San Francisco Museum of Art from February 19 to May 30, 2000. The exhibition then traveled to Chicago and New York. Essays by Gary Garrels, Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber and Adam D. Weinberg. Illustrated profusely in color and black & white. Bibliography. 11" high X 10" wide, 416 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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Seller's Description:
Very Good. Trade PB. 4to. San Francisco Museum of Modern Art, San Francisco, CA. 2000. 416 pgs. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Sol LeWitt, one of the most important American artists of this century, has spent the past four decades creating artworks that explore the potential of ideas for the making of visual forms. LeWitt transforms these ideas into objects of exquisite beauty and elegance, deliberately introducing elements of chance, intuition, or irrationality into the systems that govern the creation of his works. LeWitt's delicate balancing act between thought and form, between order and disorder, between authorship and anonymity, has exerted an enormous influence on artists of subsequent generations. This book, the first retrospective of LeWitt's work in more than twenty years, fosters a deeper understanding of the artist's career and its significance to American art and thought. Including essays by Gary Garrels, Martin Friedman, Brenda Richardson, and other distinguished curators and art historians, the book charts the evolution of LeWitt's art from his groundbreaking work in Conceptualism during the early 1960s through his turn toward a more lyrical and sensual form of abstraction around 1980. With more than 350 images, the book provides a stunning visual survey of LeWitt's oeuvre from 1960 to the present, including sumptuous wall drawings, three-dimensional structures, and works on paper. This handsome book is the catalogue for an exhibition that will open at the San Francisco Museum of Modern Art from 19 February through 30 May 2000, and will then travel to the Museum of Contemporary Art in Chicago from July to October and to the Whitney Museum of Art in New York from November to February 2001. E-086; 4to 11"-13" tall; 416 pages.
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Seller's Description:
Fine. 416 p. Audience: General/trade. First edition, first printing. Oversized softcover with french flaps as issued. A fine clean tight unmarked copy. Richly illustrated throughout. 416 pages