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Seller's Description:
Fine Condition in Fine Condition jacket. Book 181 pages. Oblong format hardcover. Text in English. Minimal shelfwear to the edges of the boards with light associated wear and rubbing to the dustjacket. Else, the binding is tight, the interior clean and free of markings. Bound with black cloth covered boards and wrapped in an illustrated paper dustjacket. Color photographs throughout.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Used-Very Good. Photographer, painter, sculptor, Lucas Samaras is one of the most influential and provocative artists of our time. Once again available to readers, this long out-of-print volume presents a thorough compilation of Samara's photographic work, beginning with his earliest 'Auto-Polaroids. ' This exhaustive body of work paved the way for a generation of contemporary photo-artists, expanding the expressive possibilities of the medium. Using Polaroid materials, large--sometimes life-sized--formats, manipulated imagery, and composites, Samaras helped forge a vocabulary employed by artists and photographers throughout the eighties. In his most profound achievement, he adopted one of photography's basic genres--portraiture--and used it as a basis for an inquiry into the self, which remains unmatched in its intensity and boundless in its ramifications. Photography critic Ben Lifson provides a trenchant critique and history of Samaras's work. 'Samaras split himself into model, actor, director, audience, and critic, ' Lifson writes. 'To each of these roles he brought a skilled artist's hand an an eye deeply informed by the historical traditions and motifs of art and by the vernacular and popular traditions of photography. He became a rare figure in American art, not an artist who occasionally uses photography for tactical reasons...but an artist who made photography central to his aesthetic campaign. ' Open copy with light wear, dust jacket wrapped in Brodart protector, clean pages with tight binding.