Publisher:
Museum of Fine Arts/New York Graphic Society
Published:
1981
Language:
English
Alibris ID:
17781283480
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Seller's Description:
Near fine in near fine jacket. Green cloth boards in dust jacket, oblong octavo [10.25" x 9"], illustrated in b&w and a few in color. Book has hint of shelfwear to edges of boards, binding tight, text clean and unmarked, with mild soil and faint foxing to edges of block. DJ has faint wear and sun to spine ends.
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Seller's Description:
VG-a clean, tight copy with light shelf wear. Signed on the title page by the author. Inscribed/signed on the front end papers by 7 personnel from the MFA Boston to a departing conservator. Olive green cloth/oblong boards; gilt lettering to spine. xlviii, 316 pp. with bw frontis, 6 color plates and bw illustrations throughout. Missing dust jacket. Catalogue from the exhibition at the Museum of Fine Arts, Boston, Oct. 28, 1980-Jan. 4, 1981; The Saint Louis Art Museum, Feb. 19-Apr. 12, 1981. Includes an essay by William W. Robinson, "This Passion for Prints": Collecting and Connoisseurship in Northern Europe during the Seventeenth Century. With the title essay, Printmaking in the Age of Rembrandt: The Quest for Printed Tone. Also includes a glossary and an index of artists, among other things. Scarce.
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Seller's Description:
Near Fine in Very Good jacket. Boston: Museum of Fine Arts, 1981. Clean, square and unmarked, NF/VG. Full cloth binding. xlviii, 316pp. Unclipped jacket has a couple short tears, slight rubbing. Now in a new mylar cover. Large book: NO international orders. First Edition. Hardcover. Near Fine/Very Good. Oblong 4to-over 9"-12" Tall.
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Seller's Description:
Very Good. 8vo-over 7¾-9¾" tall Fully illustrated. From the 1981 exhibition. Clean and unmarked. Minor cover wear. *This copy does not match the "stock image" shown.