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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 750grams, ISBN: 0826336787.
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Seller's Description:
New. 0826336787. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED--224 pp. With 42 ills. (20 col. ). 26 x 21 cm. "Adela Breton (1849-1923) was a Victorian gentlewoman whose parents supported her education and artistic training. Anthropology and the "new" science of geology appealed to her father and soon captured her own interest. After her father's death in 1887, Adela began a lifetime of travel, exploring past cultures and landscapes. Often camping or staying in small villages, accompanied only by her Indian guide and companion, she created a pictorial account of the Mexican countryside in the 1890s. Famed archaeologist and fellow Briton Alfred P. Maudslay, aware of Adela's talents, asked her to return to Mexico and check his copies of the murals at the ruins of Chichén Itzá in the jungles of the Yucatán. This was the turning point in her career that would lead to international recognition as an archaeological copyist, researcher, and interpreter of the rapidly disappearing painted walls of ancient Mexico. Today her artwork is the only detailed color record of many aspects of the Pre-Columbian past. When the Mexican Revolution of 1910 ended her travels to Mexico, she turned her inquiring mind to linguistics and began her study and copying of rare colonial-era documents. Mary McVicker writes of Adela Breton, her independence from the strictures of Victorian life, her career as a pioneering artist-archaeologist, and the enduring significance of her work."--with a bonus offer--
