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Seller's Description:
New. Sewn binding. Paper over boards. 544 p. Contains: Unspecified, Illustrations, black & white. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
Fine. Sewn binding. Paper over boards. 544 p. Contains: Unspecified, Illustrations, black & white. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
Good in Poor jacket. Jacket is sunned and heavily worn with large chipped sections. Cover corners are bumped and worn. Spine is bumped and cracked, but binding is secure. Top and fore edges of text block are tanned, not visible on pages. Inside is clean and unmarked.
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Seller's Description:
Very Good. 1985. Cloth, dj. 4to. xxiv & 362 pp & 276 plates. Some shelf wear, scuffing, and noticeable chipping & tearig to dust jacket. Previous owner's inscription to ffep. Pages are clean and unmarked. Altogether a copy in Very Good condition. (Subject: Asian Art. )
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Seller's Description:
Very good in fair dust jacket. Jacket chipped and stained, in protective acetate cover; internally tight and very good. Sewn binding. Grey cloth over boards. 544 p. Numerous, black & white illustrations. Discourses on ?iva is a collection of essays on the nature of religious imagery in Indian art. Focusing on ?aivite monuments, ?aivite iconography, iconology, literary sources, and forms of ?iva, they fulfill several intentions: to clarify the historical processes of and rationales for image formation in India; to give an overview of current methodologies for approaching art in its Indian context, particularly of the ways in which scholars have established subtle as well as obvious links between visual and written traditions; and to create a foundation for viewing religious art in India in relation to more "literary" artistic traditions elsewhere. (Amazon)