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Seller's Description:
Very Good in Very Good jacket. Art. 4to. First edition (1991. ) Hardcover with dust jacket. 4to with 211 pages with 152 illustrations 50 in full color, 1 fold-out. The book and dust jacket are in very good condition with very slight shelf wear. Interior is clean and tight. Profusely illustrated. Pictures available upon request. White spine/Black text.
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Seller's Description:
Very Good in Very Good jacket. Ex-Library 210 pages 152 illustrations 50 in full color, 1 fold-out. Some graphite markings on the Library of Congress page. Some rubbing, soiling and wear to the covers and edge both book and jacket now protected with a Mylar cover. List of Exhibitions. Bibliography. Index of Drawings.
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Seller's Description:
Good in Good jacket. Art. XL. Ex-library copy with the usual stamps and markings. A well-worn copy, with some waviness to pages; but all pages unmarked and intact. Tears on dust jacket. Library tape on both hinges. Cloth boards worn around edges, with some spots of cardboard showing through. 152 illustrations, including 50 plates in full color.
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Seller's Description:
Johns, Jasper. Near fine in near fine jacket. Project Director David Whitney. Editor Christopher Sweet. 152 illustrations, including 50 plates in full-color, 1 folding. 211 pages. 4to, blind-stamped white cloth, d.w. New York: Abrams, (1984). A near fine copy in a near fine dust wrapper.
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Seller's Description:
Very good in very good dust jacket. Oversized. Dustjacket in very good condition, no open tears. Owner signature to ffep. Text clean, tight and unmarked. Shipped from a family owned, independent bookstore in the United States.
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Seller's Description:
Near Fine in Near Fine jacket. 10 1/2" x 12" 211pp. White cloth, blindstamped. frontispiece. 152 illustrations, 50 plates in full color. Very minor toning to the extremities, otherwise a fine unmarked copy. The Unclipped color pictorial jacket is bright, with a touch of wear. "Jasper Johns's groundbreaking work sent shock waves through the art world when it was first shown in the late 1950s, and he has continued to challenge new audiences—and himself—over a career spanning more than sixty-five years. He was born in 1930 in Augusta, Georgia; spent the majority of his adult life in New York; and today lives in Sharon, Connecticut, where, at the age of ninety-one, he remains active in his studio. Johns's early use of common objects and motifs, language, and inventive materials and formats upended conventional notions of what an artwork is and can be. His profoundly generative practice helped spark movements including Pop art, Minimalism, and Conceptualism, among others, and has inspired successive generations of artists to this day."