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Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
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Very Good- Small droplet stains to top edge of pages. -Great overall condition. Minor cosmetic wear. No noteworthy blemishes. No writing.; -We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Used-VG. This strikingly unusual and beautifully illustrated book represents a turning point in African art history. The authors draw on personal memories, interviews, and oral narratives to present twelve 'case histories' of objects--or clusters of objects--in the Seattle Art Museum's renowned collection of African art. Each case history is enriched by comments from artists, art historians, writers, community members, and patrons who guide readers back into the markets, palaces, ceremonies, shrines, and streets where African art originated. Often sitting still and silent in a museum display case, African art is frozen in an alien frame. Vibrant music, movement, debate, and cryptic voices are among the missing elements that once surrounded the mask, sculpture, ring, or stool. Reframing the objects, 'Art from Africa' proposes looking at what was once done with them while also listening carefully to what was once said in their presence. As the case histories reveal, the gross mislabeling of objects as 'fetishes, ' 'idols, ' and 'devil masks' dissolves as art becomes better known as medicine, philosophy, personality correctives, and blessings for the future. Known for his scintillating analyses of African art, Robert Farris Thompson devotes his opening essay to introducing the missing dimension of motion, exploring the meaning of postures and gestures in various African cultures. A curator dedicated to telling the stories behind such art, Pamela McClusky explores subjects ranging from royal art of the Kom and Asante kingdoms, masquerades from the Yoruba, Dan, and Mende cultures, hunters' shirts from the Mande empire, sculpture from the Kongo kingdom, Mercedes-Benz coffins from the streets ofGhana, photographs from Mali, and Maasai body ornaments. This book accompanies a special exhibition of the museum's collection, but, as all art lovers who look beyond museum walls will appreciate, it is much more than an exhibition catalogue. EXHIBITION SCHEDULE Philadelphia Museum of ArtOctober 2, 2004-January 2, 2005. This strikingly unusual and beautifully illustrated book represents a turning point in African art history. The author draws on personal memories, interviews, and oral narratives to present 12 case histories of objects from the Seattle Art Museum's collection. Over 200 illustrations. Clothbound. This book has minor wear and is in very good condition. Help support Orca Books Cooperative--Olympia's only Co-op Bookstore! No dust cover.
Publisher:
Seattle Art Museum / Princeton University Press
Published:
2002
Language:
English
Alibris ID:
17967458668
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Seller's Description:
VG. Some soiling (coffee ring) on cover. Owner's writing on first page, tanning along page edges, some soiling on page edging; otherwise clean contents. Color pictorial wraps, green spine with pale yellow lettering; French flaps. 302 pp. Profusely illustrated in BW and color. Accompanied the exhibition of the same name held at the Seattle Art Museum February 7-May 19, 2002. Presents twelve "case histories" of objects from Seattle Art Museum's collection based on personal memories, interviews, and oral narratives. Includes masks, jewelry, sculpture, and much more.