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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.
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Berkeley. 2005. University of California Press. 1st American Edition. Very Good in Dustjacket. 0520244591. 237 pages. hardcover. keywords: Art Whiteness America. FROM THE PUBLISHER-Sight Unseen explores how racial identity guides the interpretation of the visual world. Through a nimble analysis of late nineteenth-and early twentieth-century paintings, photographs, museums, and early motion pictures, Martin A. Berger illustrates how a shared investment in whiteness invisibly guides what European Americans see, what they accept as true, and, ultimately, what legal, social, and economic policies they enact. Carefully reconstructing the racial and philosophical contexts of selected artworks that contain no narrative links to race, the author exposes the effects of racial thinking on our interpretation of the visual world. Bucolic genre paintings of white farmers, pristine landscape photographs of the western frontier, monumental civic architecture, and early action films provide case studies for investigating how European-American sight became inextricably bound to the racial values of American society. Berger shows how artworks are more significant for confirming internalized beliefs on race, than they are for selling us on racial values we do not yet own. A significant contribution to the growing field of whiteness studies, this accessible, provocative, and compelling book exposes how something as apparently natural as sight is conditioned by the racial values of society. inventory #36224.
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Seller's Description:
Very Good in Very Good jacket. Size: 9x7x1; Clean. In Very Good Condition. 236 Pages With The Index. Hardcover With A Very Good Dust Jacket. based on your address. -We can ship from USA and Canada. Specializing in academic, collectible and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.
