The Bayeux Tapestry has long been recognized as one of the most problematical historical documents of the Norman Conquest of England in 1066. More than a reinterpretation of the historical evidence, Suzanne Lewis's study explores the visual and textual strategies that have made the Bayeux Tapestry's narrative such a powerful experience for audiences over the centuries. The Rhetoric of Power focuses on how the Tapestry tells its story and how it shapes the responses of reader-viewers. This involves a detailed analysis of the ...
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The Bayeux Tapestry has long been recognized as one of the most problematical historical documents of the Norman Conquest of England in 1066. More than a reinterpretation of the historical evidence, Suzanne Lewis's study explores the visual and textual strategies that have made the Bayeux Tapestry's narrative such a powerful experience for audiences over the centuries. The Rhetoric of Power focuses on how the Tapestry tells its story and how it shapes the responses of reader-viewers. This involves a detailed analysis of the way the visual narrative draws on diverse literary genres to establish the cultural resonance of the story it tells. The material is organized into self-contained yet cross-referencing episodes that not only portray the events of the Conquest but locate those events within the ideological codes of Norman feudalism. Lewis's analysis conveys how the whole 232-foot tapestry would have operated as a complex cultural 'fiction' comparable to modern cinema.
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New. Trade paperback (US). 186 p. Cambridge Studies in New Art History and Criticism . Worked examples or Exercises. Intended for professional and scholarly audience.
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New. Trade paperback (US). Contains: Unspecified. Cambridge Studies in New Art History and Criticism . Includes unspecified. Intended for professional and scholarly audience.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. Trade paperback (US). Contains: Unspecified. Cambridge Studies in New Art History and Criticism . Includes unspecified. Intended for professional and scholarly audience.