Elizabeth's Gaskell's delight in the macabre is nowhere more evident than in her short fiction. This volume testifies to the extraordinary range of Gaskell's art as short-story writer with such tales as "Libbie March's Three Eras", "Six Weeks at Heppenheim", "The Grey Woman", and two more, including the title piece.
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Elizabeth's Gaskell's delight in the macabre is nowhere more evident than in her short fiction. This volume testifies to the extraordinary range of Gaskell's art as short-story writer with such tales as "Libbie March's Three Eras", "Six Weeks at Heppenheim", "The Grey Woman", and two more, including the title piece.
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