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Seller's Description:
HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Seller's Description:
Like New in Like New jacket. First Edition, First Printing. Published by Yale University Press, 2005. Folio. Maroon cloth boards stamped in white with gray endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new. A fine copy of this collection of works by Frederick Sommer. 248 pages. ISBN: 9780300107838. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!
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Seller's Description:
VG-(No dj; ex-art library with bookplate and few marks on outermost pages; some small scuffs to binding; otherwise clean. ) Burgundy cloth, 251 pp., many duotone and color illus. Considers well the life and work of Italian-born artist Frederick Sommer (1905-1999). With an opening essay by Keith F. Davis, and the text of an artist interview conducted by Michael Torosian. The illustrated catalogue presents more than 100 specific pieces. Includes chronology.
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Seller's Description:
New/Sealed In Publishers Wrap. Burgundy cloth boards. pictorial dustjacket w/ yellow & black printing. 251 pgs w/ bw & color illustrations. "This book-published in the centenary of the artist's birth-chronicles the extraordinary life and work of Frederick Sommer (1905-1999). One of the great masters and key innovators in the history of photography, Sommer was a complex and creative individual. His work in photography is unconventional and fascinating for its wide range of methodologies and techniques, from his embrace of the large-format camera and exquisite print quality to his use of constructed subjects and synthetic negatives. Sommer also made masterful drawings, watercolors, musical scores, and collages. These varied works are united by the vitality of his creative imagination-his unparalleled ability to explore, stretch, and blend the possibilities of his chosen media." "Sommer began his career as a landscape architect. He purchased his first camera in 1930, while recovering from tuberculosis in Switzerland. Arriving in Arizona in 1931, Sommer abandoned his original profession and began painting and drawing. After meeting Alfred Stieglitz in 1935 and Edward Weston in 1936, Sommer's interest in photography deepened and he quickly became a master of the medium. Other artists who later proved inspirational to Sommer included Precisionist painter and photographer Charles Sheeler, Surrealist artist Max Ernst, and photographer Aaron Siskind." "With an essay by photo historian Keith F. Davis, reproductions of Sommer's diverse works, and a detailed chronology of his life by April M. Watson, The Art of Frederick Sommer describes and documents the full scope of the artist's achievement as a twentieth-century visionary. The book is a revelation for scholars, artists, students, and everyone who appreciates the power of art to transform, transcend, and inspire."--Jacket.
