The Serge Lifar Collection of Theater Designs, Costumes, and Paintings at the Wadsworth Atheneum Serge Lifar, the last great protege dancer of famed Russian ballet producer Serge Diaghilev, collected paintings, set designs, and costume designs from Diaghilev's Ballets Russes and from his own later productions at the Paris Opera. In 1933 Lifar's European dance company met financial disaster on tour in the United States, and Lifar was forced to sell his collection to pay for return fires for his troupe. The $10,000 he ...
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The Serge Lifar Collection of Theater Designs, Costumes, and Paintings at the Wadsworth Atheneum Serge Lifar, the last great protege dancer of famed Russian ballet producer Serge Diaghilev, collected paintings, set designs, and costume designs from Diaghilev's Ballets Russes and from his own later productions at the Paris Opera. In 1933 Lifar's European dance company met financial disaster on tour in the United States, and Lifar was forced to sell his collection to pay for return fires for his troupe. The $10,000 he received from the Wadsworth Atheneum's flamboyant and imaginative director A. Everett "Chick" Austin was considered extravagant at the time. This collection, recognized as invaluable evidence of the emergence of modernism in theater and in Western art, is today unrivaled as a comprehensive documentation of the Ballets Russes. This catalogue presents the 188 works of art and thirty-two costumes that compose the Serge Lifar Collection. It has been enlarged since 1933, most notably with the 1996 acquisition of original costumes. Most of the set and costume designs and all of the costumes were made for thirty-seven Ballet Russes productions, from the first in 1909 to the last in 1929. The Ballet Russes was one of the greatest artistic movements of the early twentieth century, which fused the efforts of composer, choreographer, dancer, and designer into total works of art. Diaghilev commissioned prominent Russian painters and artists from the School of Paris -- among them Bakst, Picasso, Matisse, Braque, and Miro -- to design sets and costumes. This book provides notes about each production and the corresponding items in the collection, as well as a new assessment of theimmediate impact and lasting influence of the renowned Ballet Russes.
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Seller's Description:
Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Seller's Description:
Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
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Seller's Description:
Very Good. Size: 10x1x11; Yale University Press; New Haven, 1998. Hardcover. A Very Good, black cloth binding with gilt lettering on spine, binding firm, interior and extremities tidy, bumped bottom front board corner, small dent top front board fore-edge, a hint of sunning to page margins, in a Very Good, some handling/scuff marks to panels, mild edge/corner wear, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 352pp., appendix, exhibition, bibliography, credits, indexed, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.
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Seller's Description:
VG/VG but for some light corner and edge wear. Black boards with gilt lettering on spine. Glossy color-illustrated dust jacket with gold lettering. 352 pp. 220 color plates. Includes Boris Anisfeldt, Leon Bakst, Andre Bauchant, Alexandre Benois, Christian Berard, Georges Braque, Giorgio de Chirico, Naum Gabo, Jaun Gris, Joan Miro, Nikolai Roerich, Jose-Maria Sert, Dimitri Stelletsky, Pavel Tschelitchew-and many others.