"Ernst van de Wetering's wonderful book has taken us further than almost any study over the past twenty years, towards an understanding of the machinery of Rembrandt's genius. . . . No one attempting to write about Rembrandt in the future will be able to do so without taking this fine work into account. It is a really stunning achievement and will change the whole course of Rembrandt studies for many generations."--Simon Schama "Who would not have wanted to look over Rembrandt's shoulder while he painted? Among the ...
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"Ernst van de Wetering's wonderful book has taken us further than almost any study over the past twenty years, towards an understanding of the machinery of Rembrandt's genius. . . . No one attempting to write about Rembrandt in the future will be able to do so without taking this fine work into account. It is a really stunning achievement and will change the whole course of Rembrandt studies for many generations."--Simon Schama "Who would not have wanted to look over Rembrandt's shoulder while he painted? Among the countless books on Rembrandt, that by Ernst van de Weterring comes closest to conveying something of this experience because the author combines the qualifications of a trained connoisseur and of a practising painter."--Ernst Gombrich
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VG-(A few scratches to wraps, primarily at the spine, and retail stickers on the back) Black illus. wraps; 340 pp.; 331 color and duotone figures. "Rembrandt's intriguing painting technique has stirred the imagination of art lovers during his lifetime and ever since. In this book, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unravelled in depth. At the same time, this 'archaeology' of Rembrandt's paintings yields information on many other levels. In art-historical research, the work of art as a material object is used increasingly as an important source of information about the painting itself, as well as about historic studio practice in general. The range from practical workshop devices to aesthetic and art-theoretical matters combined in this book, offers a s view of Rembrandt's daily practive and artistic considerations, while simlutaneously providing a mode three-dimensional image of the histiorial artist in general." (back cover).
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New. Trade paperback (US). Sewn binding. 356 p. Contains: Illustrations, black & white, Illustrations, color, Frontispiece. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. Trade paperback (US). Sewn binding. 356 p. Contains: Illustrations, black & white, Illustrations, color, Frontispiece. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
This excellent book is the result of the research done by the Rembrandt Research Project, which worked over several decades with dozens of museums to physically examine over 200 paintings from across the span of Rembrandt's career using modern analysis techniques. An artist and art historian, Wetering addresses artists, art historians, conservators, and enthusiasts using contemporary writings to help interpret the findings. It is an intelligent and informed discussion about Rembrandt's materials, techniques, and process; their comparison with contemporary practices and how they changed over his career. There is probably too much detail in this book for the casual admirer. But for those with a serious interest in Rembrandt's methods, it is a gold-mine. So much of what we have "known" about Rembrandt's technique has been speculation based upon visual study of the paint surface which has been deceptive. This book attempts to move past speculation to facts supported by the material evidence. This book is well illustrated with many close ups of the features under discussion. It is fairly easy to read, though the level of detail may occasionally rise beyond the interest of the reader.
