When professor of phonetics Henry Higgins wagers with Colonel Pickering that he could teach even a gutter-mouthed flower seller how to speak like a duchess, little does he expect that his social experiment will be riddled with difficulties, and that behind her cockney parlance the girl in question, Eliza Doolittle, has a mind, ideas and aspirations of her own. Things come to a crux when the creature starts to rebel against her creator - and the scene is set for a play that questions the class system, social appearances and ...
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When professor of phonetics Henry Higgins wagers with Colonel Pickering that he could teach even a gutter-mouthed flower seller how to speak like a duchess, little does he expect that his social experiment will be riddled with difficulties, and that behind her cockney parlance the girl in question, Eliza Doolittle, has a mind, ideas and aspirations of her own. Things come to a crux when the creature starts to rebel against her creator - and the scene is set for a play that questions the class system, social appearances and the role of women in society. Universally regarded as Shaw's most successful work, Pygmalion - here presented in its definitive 1941 version, with footnotes indicating the textual variants from the first volume edition of 1916 - has spawned a great number of adaptations, among them the famous 1956 Broadway musical My Fair Lady, and shows ancient myth's undiminished ability to find new incarnations in modern life.
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Two bored older men train Eliza to become the perfect young lady. The play is rather funny, though it ends on a sad note. Its not as upbeat as the My Fair Lady story. This tale takes a look at what happens when a girl is bettered and then released back into her old surroundings. These two men care more about their own amusement iver the feelings of Eliza. Most of the play is up beat, but the ending really ruined the whole story for me. If one wants a happy ending then this is not something to read.