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Seller's Description:
Near fine in near fine jacket. Green cloth boards in dust jacket, oblong octavo [10.25" x 9"], illustrated in b&w and a few in color. Book has hint of shelfwear to edges of boards, binding tight, text clean and unmarked, with mild soil and faint foxing to edges of block. DJ has faint wear and sun to spine ends.
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Seller's Description:
Good+ (soiling to block, light shlefwear to boards, flyleaves in front appear to be cut into a triangle pattern with previous owner's name in marker. Pages prior to title page have tear marks along spine. Pages are otherwise very clean and clear. ) Olive green cloth/oblong boards with mounted color illustrations on front, spine, and rear; xlviii, 316 pp. with bw frontis, 6 color plates and bw illustrations throughout. Catalogue from the exhibition at the Museum of Fine Arts, Boston, Oct. 28, 1980-Jan. 4, 1981; The Saint Louis Art Museum, Feb. 19-Apr. 12, 1981. Includes an essay by William W. Robinson, "This Passion for Prints": Collecting and Connoisseurship in Northern Europe during the Seventeenth Century. With the title essay, Printmaking in the Age of Rembrandt: The Quest for Printed Tone. Also includes a glossary and an index of artists, among other things.
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Seller's Description:
Fine in Fine jacket. 8vo-over 7¾"-9¾" (USA) Presumed 1st edition. No markings, Fine as New in price-clipped Fone dust jacket. Olive gren cloth, 316pp, index, B&W reproductions of prints from European artists of the late 16th century. The 17th century Dutch painter's desire to translate painterly values into B&W printmaking is central to the two themes explored by the author. The first theme is the quest for dark tonalities; the second is the quest for more painterly atmostpheric use of line to render light, space and atmosphere. A heavy book. 4.0 JM LVR 201/b1.
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Seller's Description:
VG-a clean, tight copy with light shelf wear. Signed on the title page by the author. Inscribed/signed on the front end papers by 7 personnel from the MFA Boston to a departing conservator. Olive green cloth/oblong boards; gilt lettering to spine. xlviii, 316 pp. with bw frontis, 6 color plates and bw illustrations throughout. Missing dust jacket. Catalogue from the exhibition at the Museum of Fine Arts, Boston, Oct. 28, 1980-Jan. 4, 1981; The Saint Louis Art Museum, Feb. 19-Apr. 12, 1981. Includes an essay by William W. Robinson, "This Passion for Prints": Collecting and Connoisseurship in Northern Europe during the Seventeenth Century. With the title essay, Printmaking in the Age of Rembrandt: The Quest for Printed Tone. Also includes a glossary and an index of artists, among other things. Scarce.
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Seller's Description:
Near Fine in Very Good jacket. Boston: Museum of Fine Arts, 1981. Clean, square and unmarked, NF/VG. Full cloth binding. xlviii, 316pp. Unclipped jacket has a couple short tears, slight rubbing. Now in a new mylar cover. Large book: NO international orders. First Edition. Hardcover. Near Fine/Very Good. Oblong 4to-over 9"-12" Tall.
