The relationship between humor and figurative art has been explored frequently ever since Giuliano Briganti's parodic interpretation of Pellegrino Tibaldi's frescoes in the Poggi Palace of Bologna. In this essay, Jos??? Emilio Buruc???a shares the mechanisms and formulas invented by European artists from the first modernity in order to elicit laughter from those who gazed upon their work. Las relaciones entre lo c???mico y el arte figurativa han sido examinadas con frecuencia desde que, en 1945, Giuliano Briganti ...
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The relationship between humor and figurative art has been explored frequently ever since Giuliano Briganti's parodic interpretation of Pellegrino Tibaldi's frescoes in the Poggi Palace of Bologna. In this essay, Jos??? Emilio Buruc???a shares the mechanisms and formulas invented by European artists from the first modernity in order to elicit laughter from those who gazed upon their work. Las relaciones entre lo c???mico y el arte figurativa han sido examinadas con frecuencia desde que, en 1945, Giuliano Briganti interpretara en clave par???dica los frescos de Pellegrino Tibaldi en el Palacio Poggi de Bolonia. En este ensayo Jos??? Emilio Buruc???a nos descubre cu???les fueron los mecanismos y las f???rmulas inventadas por los artistas europeos de la primera modernidad para provocar con sus im???genes la risa de los contempladores.
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