'My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis. I have tried to present it to the indifferent public under four of its aspects: childhood, adolescence, maturity and public life. The stories are arranged in this order. I have written it for the most part in a style of scrupulous meanness and with the conviction that he is a very bold man who dares to alter in the presentment, still more to deform, whatever he has ...
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'My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis. I have tried to present it to the indifferent public under four of its aspects: childhood, adolescence, maturity and public life. The stories are arranged in this order. I have written it for the most part in a style of scrupulous meanness and with the conviction that he is a very bold man who dares to alter in the presentment, still more to deform, whatever he has seen and heard. It is not my fault that the odour of ashpits and old weeds and offal hangs round my stories. I seriously believe that you will retard the course of civilisation in Ireland by preventing the Irish people from having one good look at themselves in my nicely polished looking glass.' James Joyce Dubliners, one of the great short story collections in the English language, was first published in London on 15 June 1914 by Grant Richards, who had rejected the original set of twelve stories in September 1906; in the interim, according to Joyce, it was turned down by forty publishers. The text of this Lilliput edition derives from Robert Scholes' 1967 corrected edition, which restored Joyce's original punctuation and typography. The print is offset from the 1986 Dolmen Press edition, designed by Liam Miller using Eric Gill's fourteen-point letterpress Joanna, and issued in a limited run of five hundred copies of which four hundred were for sale and one hundred hors commerce. From the first trade edition, published by the Lilliput Press, now comes the mass market demi format, which retains fifty-seven of the ninety original lithographs by the artist Louis le Brocquy. Le Brocquy's drawings, hieroglyphic 'shadows thrown by the text', are haunting accompaniments to these fifteen stories or 'incidents' in the life of a city, in Joyce's first major prose work. With this handsome edition, Dubliners returns fittingly to its source.
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Seller's Description:
Jacques, Robin. Poor. Bumps/wear at edges/corners. Some marks, scratches, creasing and tanning to cover. Tanning to text blocks and page margins. Private library imprint stamp at 1st inner page. Text good and legible. 208 p. Illustrations.
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Very Good. Used, hand writing on first page, some outer edges have minor scuffs, cover has light scratches, book content is in very good readable condition. Trade paperback (US). Glued binding. 192 p. Wordsworth Classics.
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Very good. This book is in stock now, in our UK premises. Photos of our books are available on request (the pictures you see on Alibris are NOT our own). Are you outside UK? Then unless you arrange shipping 'Via Alibris' we WILL cancel your order; this is due to the derisory shipping allowance that Alibris make to sellers for overseas orders.
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New. Glued binding. A-format paperback. Collins Classics . In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.