Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good++ in a Very Good++ dust jacket; Hardcover; Dust jacket is clean and glossy with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Unmarked boards with "straight" edge-corners; The textblock edges are unblemished; The endpapers and all text pages are bright and unmarked; The binding is tight with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75"-12.75" tall); 4.3 lbs; Jacket photo of wooden cabinet with title in red and white lettering; 2004, D.A.P. /Tate Publishing; 288 pages; "Donald Judd, " by David Batchelor, et al.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and glossy with no tears, just minor edgewear, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards; The textblock edges are unblemished; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75"-12.75" tall); Jacket photo of wooden cabinet with title in red and white lettering; 2004, D.A.P. /Tate Publishing; 288 pages; "Donald Judd, " by David Batchelor, et al.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fine in Fine jacket. This is a fine hardcover copy with a fine dust jacket with no wear at all. Virtually as new. Completely clean, no marks. This monograph was prepared to accompany the exhibition at the Tate Modern in London from February 5 to April 25, 2004. The exhibition then travelled to Dusseldorf in the summer of 2004 and finally the Kunstmuseum Basel in the late fall. Essays by Rudi Fuchs, Richard Schiff, David Batchelor, David Raskin, and Nicholas Serota. Statements by Judd. Chronology. Bibliography. Exhibition history. List of Works with 41 pieces catalogued. Illustrated throughout mostly in color. 12" high X 10" wide, 284 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Hardcover. 4to. D. A. P. /Tate, New York. 2004. 284 pgs. Fully illustrated in colour & b&w. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, Plexiglas, and plywood. His use of vibrant color, polished and reflective metals, and brightly hued lacquer confounded and continues to confound expectations of what "minimalist" sculpture should look like. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. Donald Judd compromises the most thorough and up-to-date publication on Judd in print today. E-088; 11.8 X 9.8 X 1.0 inches; 288 pages.
