Over the past thirty years, our ideas about the cultures of Empire have been transformed. Contemporary reflections on Empire by writers and artists are widely published and displayed, and museums have witnessed a growing number of exhibitions devoted to aspects of the rich and varied visual culture that emerged in places under British governance, from the Americas to India and Australasia. And yet, since the vast Imperial exhibitions of the early twentieth-century there has been no wide-ranging presentation of the objects ...
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Over the past thirty years, our ideas about the cultures of Empire have been transformed. Contemporary reflections on Empire by writers and artists are widely published and displayed, and museums have witnessed a growing number of exhibitions devoted to aspects of the rich and varied visual culture that emerged in places under British governance, from the Americas to India and Australasia. And yet, since the vast Imperial exhibitions of the early twentieth-century there has been no wide-ranging presentation of the objects made across the British Empire. This publication, which accompanies a major Tate Britain exhibition, fills that gap. Through broad groupings within thematic chapters - Mapping, Collecting, History, Portraiture, Cultural Exchange and the Return of Empire - leading scholars focus on how particular objects tell the history of life under British rule. Paintings by well-known artists such as John Singer Sargent and Sidney Nolan are illustrated alongside Benin bronze heads and Mughal miniatures in a survey that ranges from sixteenth century colonialism through to the projection of Britain's imperial might in the late nineteenth century to its decline in the post-war era. Exploring how artists have represented and critiqued the diverse places, people and events that make up the legacy of Empire, our expert authors have created a vital book on a subject of broad contemporary interest.
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Very good. Ships Within 24 Hours M-F-Satisfaction Guaranteed! Has a publisher overstock mark. Item is in Good Condition. Clean Copy With Light Amount of Wear.
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New. Contains: Illustrations, color. Includes: illustrations, color. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Fine. Contains: Illustrations, color. Includes: illustrations, color. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Fine in As New jacket. Book. 4to-over 9æ-12" tall. Large format quarto hardcover, bound in red cloth boldly lettered in gold on front cover and spine, in publisher's pictorial dust-jacket. 256 pages. Notes, Index, etc. With contributions from Gus Casely-Hayford, Annie E. Coombes, Caroline Corbeau-Parsons, Paul Gilroy, Nicholas Thomas and Sean Willcock. Illustrated throughout with color photographs. First edition. Published on the occasion of the eponymously named exhibition held at the Tate Galleries, 25 November, 2015-10 April, 2016. No previous ownership marks. A clean, square, fresh and unmarked copy. Fine in an as new dust-jacket. A large book, Priority and International orders will require additional postage, calculated as close to actual cost as possible.
