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Seller's Description:
Dust jacket in good condition. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. DJ shows light edgewear; Binding is sound; Interior pages are unmarked; Secure packaging for safe delivery.
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Seller's Description:
Fair. Stated first printing. Wear and bumping to corners is consistent with age and use. Binding is somewhat loose, but is secure. All pages are intact and free of all marks or highlights. Book is poly bagged for further preservation. Dust jacket wrapped in new Mylar.
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Seller's Description:
Very good. Dust jacket in good condition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Dust jacket placed in mylar for preservation. Binding is tight; pages are clean and unmarked. Secure packaging for safe delivery.
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Seller's Description:
Dust jacket in very good condition. First edition, first printing. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. An excellent copy, gently worn; Secure packaging for safe delivery.
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Seller's Description:
Very Good in Very Good jacket. Size: 8x0x11; 2006 North Light Books (Cincinnati, Ohio), 8 3/4 x 11 1/4 inches tall black buckram cloth hardcover in publisher's unclipped dust jacket, white lettering to spine, orange endpapers, copiously illustrated with color photographs and artwork, 144 pp. Slight edgewear to covers, especially tips. Otherwise, a near fine copy-clean, bright and unmarked-in a near fine dust jacket which is nicely preserved and displayed in a clear archival Brodart sleeve. ~SP16~ [3.0P] What do you want your landscape painting to say about this place, this moment? How do you use the visual vocabulary-line, shape, value, color, edges-to say it? With this book, your conversation with nature will direct your brush. With an exhilarating, synergistic combination of indoor and outdoor painting, Kevin Macpherson shows you how to create personal, poetic landscapes that capture the feeling of being there. Learn how to: * Use a limited palette in a way that is more liberating than limiting. * Experience nature to the fullest and capture its vibrancy back in the studio through photos, sketches and outdoor studies. * Cope with the fleeting qualities of atmosphere and light by establishing a value plan early and sticking with it. * Incorporate impressionistic touches of broken color to give your landscape a depth and vibrancy that enhances its realism. * Approach painting as a layering and corrective process that encourages non-formulaic solutions.