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Seller's Description:
Very Good in Very Good jacket. Book Bright, crisp pictorial dust jacket with tiny chip to top front, in mylar cover. Tight binding, solid green board with sharp corners, bright black lettering to spine strip, clean, unmarked pages throughout. Includes 162 halftones and 11 color plates.
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Seller's Description:
VG-(Few marks from previous gallery owner; few tiny tears and slight edgewear on dj; interior very nice. ) Gray/tan paper covered board with black lettering on spine, green illustrated dustjacket with white and black lettering, 247 pp. profusely illustrated with bw illustrations & 8 color illustrations. "An interdisciplinary study of these ideological, practical, and aesthetic problems of government patronage. It finds in them someo f the tensions that shape American culture, such as the conflicting values of fine art and democracy, or of regionalism and nationalism. It also analyzes the thematic content of the art by the ideals represented and by reigional characteristics; it describes the artists' struggles with administrators, local citizens, and the physical constraints of the post office wall; and finally, it considers the art itself as art....This is, to date, the broadest, most detailed, and best illustrated study of American post office art." (dj).
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Seller's Description:
Very Good. No Jacket. Art. XL. Small stains on beige cloth cover. Crease on front endpaper. 8 5/8"w x 10 1/4"h. 248 pages. "The subject of this book is one of the New Deal art programs, the Treasury Department's Section of Painting and Sculpture, later the Section of Fine Arts, which between 1934 and 1943 commissioned murals and sculpture for federal buildings and for eleven hundred post offices throughout the country."
