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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Good. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code or dust jacket.
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Very Good in Very Good jacket. Book Bright, crisp, unclipped pictorial dust jacket. Tight binding, solid gray boards with sharp corners, bright silver lettering to spine strip, clean, unmarked pages throughout.
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Fine in very good(+) jacket. Illustrated in color and in black and white. xvii, 297 pages. Square 4to, silver cloth, d.w. (lightly stained, small tear at rear). Princeton: Princeton University Press, (2006). A fine copy in a very good(+) dust wrapper.
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VG (ex-museum copy w/ square black stamps to upper & lower textblocks. black scuff to upper board edge. dustjacket has light wear, small foxing or coffee-like spot to front cover) Grey cloth over boards; White illus. dj.; 297 pp.; approx. 250 color and bw figures. Remains a nice, sharp and bright copy. "48th volume of The A.W. Mellon Lectures in the Fine Arts, delivered annually at the National Gallery of Art in Washington, D.C.; Number XXXV in the Bollingen Series; Includes foreword by Earl A. Powell III and preface by Adam Gopnik; Covers minimialism, post-minimalism, satire, irony, and abstract art, and abstract art in the present day. "With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour through a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works." (dj).
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Good. Sewn binding. Cloth over boards. With dust jacket. 320 p. Contains: Illustrations. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
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Fine. Sewn binding. Cloth over boards. With dust jacket. 320 p. Contains: Illustrations. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Pictures of Nothing: Abstract Art Since Pollock (the a. W. Mellon Lectures in the Fine Arts, 2003, National Gallery of Art, Washington Dc, Bollingen Series XXXV: 48)
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Fine Condition in Fine Condition jacket. 300 pages with 127 illustrations in color. Square format. Foreword by Earl A. Powell III. Preface by Adam Gopnik. Index.
