Add this copy of Brecht at the Opera (Volume 9) to cart. $17.39, very good condition, Sold by Books From California rated 4.0 out of 5 stars, ships from Simi Valley, CA, UNITED STATES, published 2008 by University of California Press.
Add this copy of Brecht at the Opera (Volume 9) to cart. $47.96, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2008 by University of California Press.
Add this copy of Brecht at the Opera: Volume 9 to cart. $111.77, like new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2008 by University of California Press.
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Fine. Glued binding. Paper over boards. With dust jacket. 304 p. Contains: Tables, black & white, Printed music items. California Studies in 20th-Century Music, 9. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Brecht at the Opera to cart. $47.50, very good condition, Sold by ZENO'S rated 3.0 out of 5 stars, ships from San Francisco, CA, UNITED STATES, published 2008 by University of California Press.
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Berkeley. 2008. University Of California Press. 1st American Edition. Very Good in Dustjacket. 9780520254824. California Studies in 20th-Century Music, 9. 304 pages. hardcover. keywords: Music Opera Bertolt Brecht. FROM THE PUBLISHER-Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. inventory #35890.
