This rich and moving novel traces the lives of two black heroines--from their growing up together in a small Ohio town, through their sharply divergent paths of womanhood, to their ultimate confrontation and reconciliation.
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This rich and moving novel traces the lives of two black heroines--from their growing up together in a small Ohio town, through their sharply divergent paths of womanhood, to their ultimate confrontation and reconciliation.
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Seller's Description:
Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
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Like New. Excellent Dust Jacket. Size: 5x1x8; This book and dust jacket are both in Excellent Condition-Clean, Unmarked and just about As New. This hardcover book has 174 pages. The copyright page states 1993 Fifteenth Printing. We always ship in a sturdy box.
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Good in Poor jacket. Book Previous owners book-plate is inside on front free end paper. The dust jacket is taped to the book and is missing the back end. Author's second novel.
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James L. McGuire (Author photograph) Very good in Good jacket. [12], 174, [6] pages. DJ is in a plastic sleeve. DJ has some wear, soiling, and chip at lower front corner. Chloe Anthony Wofford Morrison (born Chloe Ardelia Wofford; February 18, 1931-August 5, 2019), known as Toni Morrison, was an American novelist. Her first novel, The Bluest Eye, was published in 1970. The critically acclaimed Song of Solomon brought her national attention and won the National Book Critics Circle Award. In 1988, Morrison won the Pulitzer Prize for Beloved; she was awarded the Nobel Prize in Literature in 1993. Morrison graduated from Howard University in 1953 with a B.A. in English. She earned a master's degree in American Literature from Cornell University in 1955. Morrison became the first black female editor in fiction at Random House in New York City in the late 1960s. She developed her own reputation as an author in the 1970s and '80s. Her work Beloved was made into a film in 1998. Morrison's works are praised for addressing the harsh consequences of racism in the United States and the Black American experience. The National Endowment for the Humanities selected Morrison for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities, in 1996. She was honored with the National Book Foundation's Medal of Distinguished Contribution to American Letters the same year. President Barack Obama presented her with the Presidential Medal of Freedom on May 29, 2012. She received the PEN/Saul Bellow Award for Achievement in American Fiction in 2016. Morrison was inducted into the National Women's Hall of Fame in 2020. Two girls who grow up to become women. Two friends who become something worse than enemies. In this brilliantly imagined novel, Toni Morrison tells the story of Nel Wright and Sula Peace, who meet as children in the small town of Medallion, Ohio. Their devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal-or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life. Sula is a 1973 novel by American author Toni Morrison, her second to be published after The Bluest Eye (1970). The novel begins when the construction of a golf course is announced, the site being the destroyed remnants of what used to be the Bottom. The Bottom is a black neighborhood on the hill above the fictional town of Medallion, Ohio. In the first section of the novel, the origin story of the Bottom is revealed as well as how it got its name: a white farmer promised freedom and a piece of Bottom land to his slave if he would perform some difficult chores for him. Upon completion, the farmer regrets his end of the bargain. Freedom was easy, the farmer had no objection to that, but he did not want to give up the land. He tells the slave he was very sorry that he had to give him valley land, for he had hoped to give him a piece of the bottom land. The slave said he thought valley land was bottom land, to which the master said land on the hill, not the valley, was bottom land, rich and fertile". This is obviously untrue, but it is the story that black people told to illuminate the fact that white people's racism and lies have created this topsy turvy world in which up is down and down is up. "The white people lived on the rich valley floor...and the blacks populated the hills above it, taking small consolation in the fact that every day they could literally look down on the white folks". The story is organized by chronological chapters labeled with years. In "1919, " the first named character, handsome Shadrack, a previous resident of the Bottom, returns from World War I a shattered man, suffering from shell shock or PTSD and unable to accept the world he used to belong in. Living in the outskirts of town and attempting to create order in his life,...
I have been emphasizing reading history and philosophy recently because I thought I had been reading too many novels. I thought, and still do on the whole, that my nonfiction reading was giving me more understanding of the human condition than stories. Toni Morrison's novel "Sula" (1973)brought me back to the poignancy, beauty, and depiction of life's difficult ambiguities that fiction at its best can achieve. Sula is a poetic, difficult, and heartrending short book. In its portrayal of African American women and the tension between sexuality and independence it reminded me of Zora Neale Hurston's novel "Their Eyes were Watching God" (1937). A less obvious parallel to "Sula" is Tennessee Williams. His plays, with their portrayal of both sexual freedom and sexual repression mirror the themes of Morrison's novel.
"Sula" is set in a segregated African American community on a hill in the town of Medallion, Ohio, overlooking the white part of the town located in the more prosperous valley. The story is told chronologically and set in two parts. The first part covers the years 1919-1927. Following a break of ten years, the second part covers the years 1937-- 1941, with a final chapter taking place in 1965. The African American community or "Bottoms" with its small four-block commercial strip called Carpenter's Row with its pool hall, ice cream parlor, hairdresser ("Irene's Palace of Cosmetology") and theater is itself the major character of this novel. In addition to the town, the book focuses on the life long friendship between two women with contrasting backgrounds and approaches to life. The title character, Sula, is raised by her grandmother, Eva, who has lost a leg in mysterious circumstances and by her mother, Hannah. Eva's husband Boyboy abandoned her with three children after five years of marriage and Hannah's husband died. Both Eva and Hannah enjoy the company of men and the latter is promiscuous.
Sula's friend Nel is the product of a conservative, stable home with traditional values. Her mother, Helene, was, however, the daughter of a Creole prostitute in New Orleans and Helene was raised by her grandmother. Early in the book, Helene and Nel travel south to attend Helene's grandmother's funeral, a trip which has a lasting influence on Nel, even though, for the remainder of her long life Nel never leaves the Bottoms again. Nel marries a man named Jude while Sula attends college away from Medallion followed by a series of short affairs in many large cities. During the period of their girlhood, their friendship is forged by guilt and by repeated violence involving Eva, Hannah, and the two girls themselves.
The second part of the book begins after Sula returns to the Bottoms after ten years away. She has stormy, exposing scenes with both her mother Eva and Nel and is scorned by the town because she sleeps indiscriminately with all the men. Much of the second part of the book is internalized as Morrison's characters explore their motivations, pasts, and relationships to each other.
A great deal of the story is told elliptically, symbolically, and through indirection. Many passages will bear several rereadings to be understood. For example, a key event in the story occurs in the aftermath of one of the incidents of violence involving Sula. In a state of shock and incomprehension, Sula visits a mad, isolated WW I veteran, Shadrack, who lives by himself in an old shack along the river. Sula is frightened by what she has done and frightened by Shadrack. During the visit, Shadrack says only the one word which is the title of this review. Morrison recounts the incident twice, the first time from the perspective of Sula when it occurs and the second time, years later, from the perspective of Shadrack. This enigmatic, haunting incident and the event on which it is based is at the heart of the novel.
The book is short but makes use of foreshadowing as events and themes touched upon at one point of the story come to be seen of great significance further on. The tone of the book is meditative. Unlike some readers, I found the book for the most part unideological. Morrison details relationships between African Americans and whites over the first half of the Twentieth Century and explores tensions between sexuality, convention, love, and loneliness that are part of racial issues but that also have meaning on their own. The book left me with a feeling of sorrow and loss and with a renewed appreciation of why I read novels.
Robin Friedman
rejoyce
Aug 1, 2007
Something Else to Be
Toni Morrison's second novel is a coming-of-age tale and lyric poem of black female identities, focusing on the friendship of Sula Peace and Nel Wright, and three generations of women in their respective families from 1919 through the post-World War II period. Because "They were neither white nor male," they "set about creating something else to be." Both live in "The Bottom," and place itself functions as both character and choral voice to express the town's views of sex, madness, and suicide. The novel opens with a darkly ironic naming story of The Bottom, and ends with its collapse. While Nel reverts to a more traditional domesticity, Sula is determined to forge an autonomous self in the face of a condemnatory community and leaves The Bottom for a decade. In its examination of classic themes of good and evil, the novel forces the reader to revise his or her perspective of the two main characters. it concludes on a cry of sorrow and loss, but in a way that may surprise the reader. Morrison's prose sings and the novel is peopled with unforgettable characters like Eva Peace, Shadrack, the deweys, Plum and the eponymous protagonist. While this book lacks Song of Solomon's epic scope, it's possible the Nobel Prize-winning author never wrote more beautifully.