Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 44 in B flat major: Andante -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 4 in G minor: Vivace -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 8 in E flat major: Adagio -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 13 in A flat major: Con moto -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 14 in D minor: Molto agitato -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 15 in C major: Adagio -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 19 in E minor: Quasi presto e con fuoco -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 21 in B flat minor: Allegretto
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 24 in G minor: Lento
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 25 in F minor: Adagio
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 1. Moods. No. 36 in B flat major: Andante amoroso
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 2. Impressions. No. 49 in A sharp minor: Molto agitato - Lento -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 2. Impressions. No. 50 in A flat major: Adagio
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 2. Impressions. No. 51 in F minor: Vivace -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 2. Impressions. No. 52 in F major: Allegretto -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 2. Impressions. No. 54 in A flat major: Con sentimento
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 2. Impressions. No. 74 in E major: Andante e dolce
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 2. Impressions. No. 78 in G major: Allegretto -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 2. Impressions. No. 85 in G minor: Allegretto agitato
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 88 in A flat major: Dolce e lento -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 94 in A flat major: Lento - Allegro zefiroso e leggiero
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 98 in B flat major: Poco allegretto -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 99 in A flat major: Lento
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 103 in A minor: Quasi gantasia
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 106 in A flat major: Allegro
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 108 in C major: Andante e dolce assai -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 109 in C major: Andante sostenuto e molto espressivo -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 122 in F minor: Lento - poco agitato -
Moods, Impressions & Reminiscences, 171 pieces for piano in 4 volumes, Op. 41: Part 3. Impressions. No. 123 in G minor: Lento -
Not all art is immortal. Nor should it be. Although all art is the inspired creation of a moment, not all moments are eternal. Some moments are transitory and some art embodies those evanescent moments, and when those moments are gone, the art is evaporates.The Moods, Impressions & Reminiscences of Zdenek Fibich have gone and his art has evaporated. While some listeners might argue that Fibich's symphonic works are his more ambitious and more substantial works, others would insist that they are merely longer and louder ...
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Not all art is immortal. Nor should it be. Although all art is the inspired creation of a moment, not all moments are eternal. Some moments are transitory and some art embodies those evanescent moments, and when those moments are gone, the art is evaporates.The Moods, Impressions & Reminiscences of Zdenek Fibich have gone and his art has evaporated. While some listeners might argue that Fibich's symphonic works are his more ambitious and more substantial works, others would insist that they are merely longer and louder works. But few listeners would argue that Fibich's piano miniatures, the musical diaries of his erotic life, are monuments meant for the ages. As William Howard demonstrates in this fine 1995 Chandos recording, Fibich's Moods, Impressions & Reminiscences enshrine experiences that are ecstatic, despairing, sensual, sentimental, and sometimes very, very sexy, but they are rather intimate. Chopin's piano miniatures have all the same qualities of Fibich's, but Chopin's music transcends the...
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