"The traditional view of Leonardo da Vinci's career is that he enjoyed a promising start in Florence and then moved to Milan to become the celebrated court artist of Duke Ludovico Sforza. Young Leonardo proves all of this wrong. It reveals how the struggling painter was repeatedly snubbed by the prevailing trends of Florentine style before escaping to Milan empty-handed. But Milan offered little more; Sforza's patronage was lukewarm, to say the least, and all the major commissions went to artists whose names are now ...
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"The traditional view of Leonardo da Vinci's career is that he enjoyed a promising start in Florence and then moved to Milan to become the celebrated court artist of Duke Ludovico Sforza. Young Leonardo proves all of this wrong. It reveals how the struggling painter was repeatedly snubbed by the prevailing trends of Florentine style before escaping to Milan empty-handed. But Milan offered little more; Sforza's patronage was lukewarm, to say the least, and all the major commissions went to artists whose names are now forgotten. How did the amateur become one of the all-time greatest masters? Slowly, meticulously, disastrously. Focusing on an often neglected period in Leonardo's life, here is a fascinating window into the artist's mind as he develops the techniques that will transform Western art forever. Because before there could be a Last Supper, a Mona Lisa, a St. Anne, there had to be a young Leonardo"--
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Seller's Description:
Isbouts and Brown depict Leonardo? s seminal years in Milan from an entirely new perspective: that of the Sforza court. They show that much of the Sforza patronage was directed on vast projects, such as the Milan Cathedral, favoring a close circle of local artists to which Leonardo never gained entry. As a result, his exceptional talent remained largely unrecognized right up to the Last Supper. The authors also explore a mysterious link between the Last Supper and the fresco of the Crucifixion on the opposite wall, a work that up to now has fully escaped public attention. Finally, they present a sensational theory: that two long-ignored, life-sized copies of the Last Supper, now in Belgium and the U.K., were actually commissioned by the French King Louis XII and painted under Leonardo? s direct supervision. 0.
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Seller's Description:
Good. The book may have minor cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, minor sunburn, minor water damage, minor bent). The book may have some highlights/notes/underlined pages-Accessories such as CD, codes, toys, may not be included-Safe and Secure Mailer-No Hassle Return.
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Seller's Description:
Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Seller's Description:
Pages and cover are intact. Used book in good and clean conditions. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks.
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Seller's Description:
Fine in Very Fine jacket. Book (1st edition, 1st printing) Large, sturdy book, black covers, very bright silver lettering on spine, 231 pages including a glossy color photo section and other illustrations throughout. DJ glossy with close-up color-illustration of young face on front and back left, white spine, black back right with praise from professors. Remainder mark at pages' bottom edge. Very Fine DJ/Fine book.
