Like Anthem, Christian Scott's 2007 post-Katrina meditation, Yesterday You Said Tomorrow is more than a collection of tunes; it's a statement. Scott, who was 26 at the time of this album's release, spells out his intention in the liner notes, where he explains that -- and he cites the 1960s work of Coltrane, Miles, Hendrix, Dylan, and Mingus as reference points -- he wanted to "create a record that has all the qualities of the documents of that era as they relate to our time by creating a palette that referenced the depth ...
Read More
Like Anthem, Christian Scott's 2007 post-Katrina meditation, Yesterday You Said Tomorrow is more than a collection of tunes; it's a statement. Scott, who was 26 at the time of this album's release, spells out his intention in the liner notes, where he explains that -- and he cites the 1960s work of Coltrane, Miles, Hendrix, Dylan, and Mingus as reference points -- he wanted to "create a record that has all the qualities of the documents of that era as they relate to our time by creating a palette that referenced the depth and conviction of the '60s in the context of subject matter and sound, but done in a way that illuminates the fact that my generation has had the opportunity to study the contributions of our predecessors, thus making our decision making process musically different." That's a pretty lofty goal (and a very long sentence), and a challenge to achieve, particularly with instrumental music. Scott pulls it off with aplomb though -- recorded by Rudy Van Gelder and produced by Chris Dunn and Scott, Yesterday You Said Tomorrow is very much a contemporary jazz album, yet it frequently touches down in that earlier, headier era, both sonically and in a more visceral, emotional sense. It's impossible, for example, not to notice the tonal similarities to Miles' work of the late '60s in Scott's trumpet playing, and the pacing and feisty overall attitude of several tracks is reminiscent of the more contemplative music of that time. Yet the rhythms and the setting belong to the present, with subtle and not-so-subtle influences from hip-hop, funk, and electronica finding their way into the mix. "K.K.P.D." (which Scott says stands for Ku Klux Police Department) launches it with a minute-plus of Matthew Stevens' swampy guitar run and Jamire Williams' manic drumming before Scott steps in to blow his first coolly muted solo. The piece becomes more aggressive as it unfolds, Milton Fletcher, Jr.'s piano and Kristopher Keith Funn's bass sending sparks in directions that often lead away from those Scott has chosen. "The Eraser," a song adapted from Radiohead frontman Thom Yorke's solo album of the same name, is smoother than the source material yet it's pervaded by a deliberate, somewhat unsettling scratchiness that signals the listener not to get too comfortable. The titles of some of the other tracks alone -- "Angola, LA & the 13th Amendment," "Jenacide (The Inevitable Rise and Fall of the Bloodless Revolution)," "American't" -- serve notice that this is a record that means business. On the latter, aimed at the negativity presently pervasive in the nation, Scott takes his time developing the melodic theme and musing introspectively as the other musicians build a solid foundation under him, while "Angola..." is a brooding, if occasionally angry exposition that doubles as a showcase for Stevens' tasteful licks. Stevens is also prominent throughout the record's closer, which he co-wrote with Scott, "The Roe Effect (Refrain in F# Minor)," a relatively stately, albeit at times unnerving commentary on the abortion issue. The track utilizes a backward recording technique in its latter half, ostensibly to juxtapose the opposing viewpoints on the charged issue, but also, one supposes, to remind the listener that the open-mindedness that goes into creating music as moving and commanding as this is also something we need to keep in the forefront as we find our way through these troubled times. ~ Jeff Tamarkin, Rovi
Read Less
Add this copy of Yesterday You Said Tomorrow to cart. $12.40, very good condition, Sold by HPB Inc. rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2010 by Concord Jazz.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of Yesterday You Said Tomorrow to cart. $12.40, fair condition, Sold by Service First Media rated 4.0 out of 5 stars, ships from Taylorsville, KY, UNITED STATES, published 2010.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
Add this copy of Yesterday You Said Tomorrow to cart. $16.10, poor condition, Sold by Movie Surplus rated 5.0 out of 5 stars, ships from Mobile, AL, UNITED STATES, published 2010.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Scott; Scott/Stevens; Stevens; Yorke. Poor. Used-Acceptable, withdrawn library disc(s) with liner notes. Disc(s) should play great without any playback issues. Disc(s) & liner notes may contain typical library markings like stickers, protective label covers, & writing. Discs may be repackaged in library style casing. Back artwork & any other promo material not included.
