Wolfgang Winter and Berthold H+rbelt use plastic bottle-crates as their main structural material, transforming a banal, familiar and generally neglected item of our commercial and transportation landscape into a versatile building block. Their "box houses" can be found throughout the world: plastic public seating areas await loiterers in the parks and city streets of Hokkaido, Freiburg, Liverpool, Frankfurt, New York State and Houston; a plastic lighthouse stands bright on a rock island in Sweden; and plastic pavilions ...
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Wolfgang Winter and Berthold H+rbelt use plastic bottle-crates as their main structural material, transforming a banal, familiar and generally neglected item of our commercial and transportation landscape into a versatile building block. Their "box houses" can be found throughout the world: plastic public seating areas await loiterers in the parks and city streets of Hokkaido, Freiburg, Liverpool, Frankfurt, New York State and Houston; a plastic lighthouse stands bright on a rock island in Sweden; and plastic pavilions provide information access and rest/reading rooms at exhibitions like Skulptur: Projekte in Mnster and the 1999 Venice Biennale. But Winter and H+rbelt's oeuvre is not just boxes. The artists have created useful, breathable structures from metal mesh (the gratings used for scraping dirty shoes), building a ticket booth in the Hamburger Kunsthalle; and their humorous cast objects and play structures provide some of the most accessible, pleasurable, creative explorations of sculpture today.
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Seller's Description:
New. Wolfgang Winter and Berthold H rbelt use plastic bottle-crates as their main structural material, transforming a banal, familiar and generally neglected item of our commercial and transportation landscape into a versatile building block. Their 'box houses' can be found throughout the world: plastic public seating areas await loiterers in the parks and city streets of Hokkaido, Freiburg, Liverpool, Frankfurt, New York State and Houston; a plastic lighthouse stands bright on a rock island in Sweden; and plastic pavilions provide information access and rest/reading rooms at exhibitions like 'Skulptur: Projekte in Mnster' and the 1999 Venice Biennale. But Winter and H rbelt's oeuvre is not just boxes. The artists have created useful, breathable structures from metal mesh (the gratings used for scraping dirty shoes), building a ticket booth in the Hamburger Kunsthalle; and their humorous cast objects and play structures provide some of the most accessible, pleasurable, creative explorations of sculpture today.
