British composer William Wallace's grand opera Lurline (1848) never quite achieved the success of his 1845 Maritana, which remained in the repertoire of many English opera companies into the early 20th century, but it's fascinating to hear an example of mid-19th century English opera, a genre that's virtually unknown to modern audiences. Its conventions are perhaps most familiar as the style that Arthur Sullivan so savagely and brilliantly lampooned, so even listeners who have never heard this music itself will probably ...
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British composer William Wallace's grand opera Lurline (1848) never quite achieved the success of his 1845 Maritana, which remained in the repertoire of many English opera companies into the early 20th century, but it's fascinating to hear an example of mid-19th century English opera, a genre that's virtually unknown to modern audiences. Its conventions are perhaps most familiar as the style that Arthur Sullivan so savagely and brilliantly lampooned, so even listeners who have never heard this music itself will probably experience a sense of recognition, recalling Gilbert and Sullivan. While the inane libretto, a re-telling of the German Lorelei legend, may inspire smirks, and the music is not the most original or emotionally profound, a listener who attempts to hear the work as a product of its time can appreciate its virtues: an easy lyricism, melodic generosity, and expert text-setting and orchestration. The advocacy of Richard Bonynge, who prepared a new performing edition of the score, lends the...
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