For a mixed choir of five unaccompanied voices (SSAATB), this beautiful, polyphonic work is a lament in English from the pen of Thomas Weelkes, and demonstrates how English composers approached chromaticism during the Renaissance. Piano reduction included.
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For a mixed choir of five unaccompanied voices (SSAATB), this beautiful, polyphonic work is a lament in English from the pen of Thomas Weelkes, and demonstrates how English composers approached chromaticism during the Renaissance. Piano reduction included.
Read Less