A celebration of the American painter's life and work in the region he loved best In 1883 American artist Winslow Homer (1836-1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new ...
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A celebration of the American painter's life and work in the region he loved best In 1883 American artist Winslow Homer (1836-1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new American modernism, inspiring the artists who followed him. This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subject of so many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings. Published in association with the Portland Museum of Art Exhibition Schedule: Portland Museum of Art(09/22/12-12/30/12)
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Add this copy of Weatherbeaten: Winslow Homer and Maine to cart. $24.00, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2012 by Yale University Press.
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HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
Add this copy of Weatherbeaten: Winslow Homer and Maine to cart. $24.00, fair condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2012 by Yale University Press.
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Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.
Add this copy of Weatherbeaten: Winslow Homer and Maine to cart. $26.16, good condition, Sold by BooksRun rated 4.0 out of 5 stars, ships from Philadelphia, PA, UNITED STATES, published 2012 by Yale University Press.
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Good. Size: 9x0x11; Hardcover. Good condition. Free of any markings and no writings inside. Clear Text. Modest show of wear. Staining on boards. Book has a concave shape. For any additional information or pictures, please inquire.
Add this copy of Weatherbeaten: Winslow Homer and Maine to cart. $42.99, very good condition, Sold by Pink Casa Antiques rated 5.0 out of 5 stars, ships from Frankfort, KY, UNITED STATES, published 2012 by Yale University Press.
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Very Good. Size: 10x1x8; pictorial hardcover without dust jacket, tight, pages clear and bright, shelf and edge wear, cover soiling, corners bumped, packaged in cardboard box for shipment, tracking on U.S. orders.
Add this copy of Weatherbeaten: Winslow Homer and Maine to cart. $69.52, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2012 by Yale University Press.
Add this copy of Weatherbeaten; Winslow Homer and Maine to cart. $82.00, good condition, Sold by Ground Zero Books, Ltd. rated 4.0 out of 5 stars, ships from Silver Spring, MD, UNITED STATES, published 2012 by Yale University Press/Portland Museum of Art.
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Very good. The format is approximately 10.75 inches by 8.25 inches. xiii, [1], 169, [1] pages. Illustrated front cover. Illustrations (color). Exhibition Checklist, Bibliography. Index. No dust jacket present. Foreword by Mark H. C. Bessire. Includes fascinating essays, including Weatherbeaten by Thomas A. Denenberg, "The Right Place": Winslow Homer and the Development of Prouts Neck by Kenyon C. Bolton III, The Architecture of Homer's Studio by James F. O'Gorman, North Atlantic Drift: A Meditation on Winslow Homer and French Painting by Erica E. Hirshler, : You Must Wait, and Wait Patiently": Winslow Homer's Prouts Neck Marines by Marc Simpson. Thomas Andrew Denenberg is the director of Shelburne Museum. Prior to moving to Vermont in 2011, he served as the chief curator and deputy director of the Portland Museum of Art, curator of American art at Reynolds House, and curator of American Decorative Arts at the Wadsworth Atheneum. He earned his M.A. and Ph.D. in American Studies from Boston University. He is the author of Wallace Nutting and the Invention of Old America, Winslow Homer and the Poetics of Place, and he edited and/or contributed to Picturing Old New England: Image and Memory, Backstage Pass: Rock and Roll Photography, Call of the Coast: Art Colonies of New England, Weatherbeaten: Winslow Homer and Maine, Wyeth Vertigo, and Painting a Nation: American Art at Shelburne Museum. A celebration of the American painter's life and work in the region he loved best. In 1883 American artist Winslow Homer (1836-1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new American modernism, inspiring the artists who followed him. This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subject of so many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings. Winslow Homer (February 24, 1836-September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general. Largely self-taught, Homer began his career working as a commercial illustrator. Homer's career as an illustrator lasted nearly twenty years. He contributed illustrations of Boston life and rural New England life to magazines such as Ballou's Pictorial and Harper's Weekly at a time when the market for illustrations was growing rapidly and fads and fashions were changing quickly. His early works, mostly commercial wood engravings of urban and country social scenes, are characterized by clean outlines, simplified forms, dramatic contrast of light and dark, and lively figure groupings-qualities that remained important throughout his career. His quick success was mostly due to this strong understanding of graphic design and also to the adaptability of his designs to wood engraving. Harper's sent Homer to the front lines of the American Civil War (1861-1865), where he sketched battle scenes and camp life, the quiet moments as well as the chaotic ones. His initial sketches were of the camp, commanders, and army of the famous Union officer, Major General George B. McClellan, at the banks of the...
