Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.
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Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.
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Seller's Description:
Fine. No wear on cover; No crease in spine; No markings in text; No bent pages. Trade paperback (US). Glued binding. 263 p. Contains: Illustrations, black & white. Weimar and Now: German Cultural Criticism. Audience: General/trade.
