Part of the fun of following developments in Baroque music is that, while the press is reduced to trying to work up excitement for the merest scrap of music potentially by Mozart or Beethoven, unknown masterpieces by the likes of Vivaldi are still surfacing with regularity. This release by the energetic French label Naïve (check out the wild cover photo, apparently of contralto Sonia Prina) is a case in point. Conductor Ottavio Dantone and his Accademia Bizantina ensemble, prime exponents of the rocking and rolling school ...
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Part of the fun of following developments in Baroque music is that, while the press is reduced to trying to work up excitement for the merest scrap of music potentially by Mozart or Beethoven, unknown masterpieces by the likes of Vivaldi are still surfacing with regularity. This release by the energetic French label Naïve (check out the wild cover photo, apparently of contralto Sonia Prina) is a case in point. Conductor Ottavio Dantone and his Accademia Bizantina ensemble, prime exponents of the rocking and rolling school of Italian Baroque interpreters, here uncover a dozen arias drawn from little-known Vivaldi manuscripts, or inserted as alternate numbers into existing operas. These Arie ritrovate, or rediscovered arias, are anything but a completist grab bag of odds and ends. There are some bona fide masterpieces here (as indeed there are all through the still largely unmined corpus of Vivaldian opera), and plenty of music to challenge any singer. Prina's voice has an extremely attractive...
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Seller's Description:
Very Good. Size: 0x5x4; a couple of tiny dings to 33-page booklet/libretto (in English, Italian & French); otherwise, jewel case and rear cover art are in excellent condition; disc is mint/near mint; because we care that your order arrives in the condition stated, we have additionally sealed the case in bubblewrap for added protection during shipment.
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