Argues that language has the capacity to function as a mode of perception in Shakespeare's work, a proposition it substantiates by referring to the rhetorical and aesthetic discourse current in the period and through a detailed reading of five Shakespearean plays.
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Argues that language has the capacity to function as a mode of perception in Shakespeare's work, a proposition it substantiates by referring to the rhetorical and aesthetic discourse current in the period and through a detailed reading of five Shakespearean plays.
Read Less