After decades during which the unaccompanied violin sonatas and partitas of Bach stood alone, regarded by all but specialists as rather freakish musical occurrences, recent years have seen a growth of interest in the virtuoso violin repertory of the Baroque. Composers like Biber, Pisendel, and Tartini have all shown up with increasing frequency on concert programs and recordings. Here is more high-quality Baroque violin music that's plenty enjoyable for anyone to hear. The Italian violinist and composer Francesco Maria ...
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After decades during which the unaccompanied violin sonatas and partitas of Bach stood alone, regarded by all but specialists as rather freakish musical occurrences, recent years have seen a growth of interest in the virtuoso violin repertory of the Baroque. Composers like Biber, Pisendel, and Tartini have all shown up with increasing frequency on concert programs and recordings. Here is more high-quality Baroque violin music that's plenty enjoyable for anyone to hear. The Italian violinist and composer Francesco Maria Veracini (1690-1768) worked in Italy, Germany, and England, competing with Handel and absorbing the music of both Corelli and Vivaldi. On the evidence of the music for violin and continuo presented on this disc, he was a paradoxical musical personality: a mercurial and exciting player and thinker who nevertheless had a preference for conservative forms. The four sonatas included here date from between 1716 and about 1760. They fall into the sonata da chiesa (slow-fast-slow-fast) and...
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