From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and ...
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From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. "Venice and the Islamic World, 828-1797" features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
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Seller's Description:
Fair. This copy may contain significant wear including bending writing tears and or water damage. This book is a functional copy not necessarily a beautiful copy. Copy may have loose or missing pages and may not include access codes or CDs.
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Seller's Description:
VG-(scuffs & scratches to glossy wraps; instances of rubbed edge-wear. crease to spine; spine split, glue & threads firm & intact) Color-illustrated wraps, blue spine with white lettering. 374 pp. Color and BW illustrations. Catalogue of an exhibition held at the Institut du Monde Arabe, Paris, Oct. 2, 2006-Feb. 18, 2007 and at the Metropolitan Museum of Art, New York, Mar. 27-July 8, 2007.
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Seller's Description:
Near fine in near fine jacket. Blue cloth boards in dust jacket, quarto [9.25" x 11.5"], illustrated in color. Book has hint of edgewear to boards and spine, binding tight, text clean bright and unmarked. DJ shows mild rubbing. Exhibition catalog. THIS LARGE, HEAVY BOOK WILL REQUIRE ADDITIONAL SHIPPING FEES.
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Seller's Description:
Poor. Stain to top of dustjacket/cover/pages. Scratches/scuffs to dustjacket & some tears/laminate lifting at edges. Tanning/marks to textblock edges. Scuffs to endpapers. Text very good. Sewn binding. Cloth over boards. With dust jacket. 374 p. Contains: Illustrations.
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Seller's Description:
Very good. Pbk, square large 4to, 374pp, profusely illustr throughout in color, light reading creases to the spine, otherwise a near fine, clean, tight and unmarked copy.