"An outstanding set of studies that work well with each other to produce truly substantial and rich insights into the making and consuming of art in the colonial and post-colonial world."--Susan S. Bean, Curator, Peabody Essex Museum
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"An outstanding set of studies that work well with each other to produce truly substantial and rich insights into the making and consuming of art in the colonial and post-colonial world."--Susan S. Bean, Curator, Peabody Essex Museum
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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New. Tourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. This title provides a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Editor(s): Phillips, Ruth B.; Steiner, Christopher B. Num Pages: 435 pages, 88 black-and-white photos. BIC Classification: 1F; 1H; 1KB; AC; JFC; JHM. Category: (P) Professional & Vocational. Dimension: 229 x 155 x 26. Weight in Grams: 624. 1999. 0th Edition. Paperback.....We ship daily from our Bookshop.
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Fine. Trade paperback (US). Glued binding. 435 p. Contains: Illustrations, black & white. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.