Much has been written on the educational and editorial writings of that great humanist of the northern Renaissance, but relatively little on his fictional work. This book deals with the fiction of Erasmus and what it contains of instruction and delight.
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Much has been written on the educational and editorial writings of that great humanist of the northern Renaissance, but relatively little on his fictional work. This book deals with the fiction of Erasmus and what it contains of instruction and delight.
Read Less
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Seller's Description:
Very Good in Very Good jacket. Previous owner's name written on inside of flyleaf. Price clipped from bottom of dust jacket. Otherwise solid VG condition.
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Seller's Description:
Very Good in Very Good dust jacket. 0802052908. Ex-library copy with usual stamps, call numbers and pocket. 1 small tear to DJ. Gift inscription from author to Sister Marie Therese.; The last decade has seen a renewal of interest in the works of Erasmus. Much has been written on the educational and editorial writings of that great humanist of the northern Renaissance, but relatively little on his fictional work. This book deals with the fiction of Erasmus and what it contains of instruction and delight. The attention of the study is focused primarily on the four satiric works: The Praise of Folly, the Colloquies, Julius Secundus, exclusus, and Ciceronianus, although the author, in the process of analyzing and appraising, looked for analogues and explanations in the educational exegetical works. Three aspects of Erasmus' thought are considered. The first is his insistence on man's capacity for betterment through good teaching--the formal teaching of a preceptor, or the incidental teaching of a good satirist or storyteller. The second is his notion of what man is and to what end he is to be educated. (Man is, of course, bent to knowledge and virtue, but one cannot afford to be too simple in one's appraisal of Erasmus' moral emphases--the moral life involves both doer and spectator and is strongly dependent on the thinking process, although not divorced from the act of willing, and, activated by faith and the grace of God, is never far removed from creed and devotion. ) The third aspect is Erasmus' special use of irony--an irony both dramatic and satiric--subtle and various, and doubly pronged so that it punctures what it praises but also questions the too obvious alternative, and leaves the reader pondering the whereabouts of the right and the perimeters of truth. To quote the author: 'It seems to me that the fictional works are the exempla that give life and specificity to the great theories of a great man, and a study of them should not be without interest. '; Erasmus studies; 198 pages; Signed by Author.
