It's a familiar New York story: Joyce and Marshall Harriman's divorce battle escalates from a skirmish to a full-fledged territorial conflict, as both sue for custody of their coveted Brooklyn Heights co-op, and consequently they must both continue to inhabit italong with their two small children, "their divorce's civilian casualties." Minor acts of domestic terrorism have become an unavoidable part of their daily lives, so when September 11 happens, neither is immediately very jarred. In fact, each thinks the other dead, ...
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It's a familiar New York story: Joyce and Marshall Harriman's divorce battle escalates from a skirmish to a full-fledged territorial conflict, as both sue for custody of their coveted Brooklyn Heights co-op, and consequently they must both continue to inhabit italong with their two small children, "their divorce's civilian casualties." Minor acts of domestic terrorism have become an unavoidable part of their daily lives, so when September 11 happens, neither is immediately very jarred. In fact, each thinks the other dead, and celebrates. Far from putting things into perspective, the tragedy and aftermath become a queasily hilarious counterpoint to the ongoing war to divide Joyce and Marshall's assets. Their pettiness reaches continuously lower depths spying, psychological warfare and even anthrax comes into play. Joyce seduces Marshall's best friend, and Marshall sabotages Joyce's sister's wedding. The Harrimans enact the country's problems on their pathetically personal scale, but the novel miraculously manages to avoid patness or bombast. As in Jay McInerney's recent The Good Life, Kalfus puts 9/11 up against the steel-plated narcissism of New Yorkerswith very different, and very funny, results.
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