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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1800grams, ISBN: 0847812219.
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Seller's Description:
Used-Very Good. A smorgasbord for browsers, a repository of images for designers and craftspeople in all fields, this delightful, inclusive survey deciphers the visual culture of everyday life. Ornament is taken in its widest context, including everything from hotel architecture to Russian folk ceramics, food processors, hi-fi sets, Swatch watches and posters. Woodham, a British lecturer in design history, makes tantalizing connections: an Austrian abstract fabric design is shown to resemble Gustav Klimt's paintings; architectural monumentalism is tracked in both Soviet Russia and Germany of the 1930s. The outstanding illustrations, combined with a chronological narrative, lend coherence to the nearly impossible task of tracing modern ornamentation in all its forms and styles, from roadside vernacular to new wave. Very nice clean, tight copy free of any marks.
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Seller's Description:
Used-Good. A smorgasbord for browsers, a repository of images for designers and craftspeople in all fields, this delightful, inclusive survey deciphers the visual culture of everyday life. Ornament is taken in its widest context, including everything from hotel architecture to Russian folk ceramics, food processors, hi-fi sets, Swatch watches and posters. Woodham, a British lecturer in design history, makes tantalizing connections: an Austrian abstract fabric design is shown to resemble Gustav Klimt's paintings; architectural monumentalism is tracked in both Soviet Russia and Germany of the 1930s. The outstanding illustrations, combined with a chronological narrative, lend coherence to the nearly impossible task of tracing modern ornamentation in all its forms and styles, from roadside vernacular to new wave. Text edges are foxed. Binding is tight no interior marks. Reference copy only.
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Seller's Description:
Very good in very good jacket. Profusely illus. in color & b/w, 335pp., small folio, d.w. New York: Rizzoli, (1990). A very good copy in a very good dust wrapper.
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Seller's Description:
Like New. Size: 4to 11"-13" tall; A superior copy inside and out, being a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf-and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bound handsomely in black cloth, with sharp and distinct gilt lettering to spine. Bright and shiny dust jacket, paper-backed, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Gift-quality condition inside and out. Published in stated First Edition. Measuring 11 1/4" x 8 3/4". [7], 8-335 [1] pp. Profusely illustrated with 200 full-color and 200 black-and-white photographs. Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
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Seller's Description:
Fine Condition in Very Good jacket. 335 pp., 400 illustrations, 200 of which are in color. First edition. Includes notes, list of designers and design organizations, further readings, and index. Black cloth with gilt letters stamped to the spine. Binding is in tight, bright, and fine condition. Dustjacket appears at first to be equally fine, protected now in a Mylar cover, but the back panel has been creased, and strangely, a water stain is evident on the lower backside of the dustjacket that is not evident from the front. Whatever caused the stain to the dustjacket somehow did not affect the binding which is, as I said, perfectly fine.
