The first complete monograph on an artist whose work investigates surveillance and government secrecy in the digital age Trevor Paglen's art gives visual geography to hidden forces, relentlessly pursuing what he calls the 'unseeable and undocumentable' in contemporary society. Blending photography, installation, investigative journalism, and science, Paglen explores the clandestine activity of government and intelligence agencies, using high-grade equipment to document their movements and reveal their hidden inner workings ...
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The first complete monograph on an artist whose work investigates surveillance and government secrecy in the digital age Trevor Paglen's art gives visual geography to hidden forces, relentlessly pursuing what he calls the 'unseeable and undocumentable' in contemporary society. Blending photography, installation, investigative journalism, and science, Paglen explores the clandestine activity of government and intelligence agencies, using high-grade equipment to document their movements and reveal their hidden inner workings. This book presents over three decades of Paglen's groundbreaking work, making visible the structures and technologies that impact our lives.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Good. Somewhat damaged. May have bumped corner, torn or missing dust cover, folded pages, light dust soil, remainder mark, price sticker, other damage, or be bent. 99% of orders arrive in 4-10 days.
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Seller's Description:
Fine. Signed by Artist. This is a fine softcover copy SIGNED by the artist, Trevor Paglen, on the title-page and briefly inscribed to a friend. Otherwise completely clean. Interview with Paglen conducted by Lauren Cornell. Chronology. Bibliography. Illustrated in color. 11" high X 10" wide, 158 pages. This book will be securely packed and shipped with tracking.