Familiar to American audiences from her critically acclaimed exhibition Free-falling at the Dia Center for the Arts, the Australian artist Tracey Moffatt is among the most carefully watched younger figures on the international scene. Of Aboriginal descent, Moffatt focuses on themes of the other, the unknown, the outcast, and the marginal. In her photographs and videos, she shows the complex interweaving of human relationships, forged by ethnic, social, and gender differences. Moffatt does not, however, aim to capture ...
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Familiar to American audiences from her critically acclaimed exhibition Free-falling at the Dia Center for the Arts, the Australian artist Tracey Moffatt is among the most carefully watched younger figures on the international scene. Of Aboriginal descent, Moffatt focuses on themes of the other, the unknown, the outcast, and the marginal. In her photographs and videos, she shows the complex interweaving of human relationships, forged by ethnic, social, and gender differences. Moffatt does not, however, aim to capture reality but to create her own reality. In her photographic work, the past, present, and future of the protagonists seem to gel together into a surreal simultaneity. At the same time, the presence of the other in the picture creates an often unsettling still life of atmospheric strangeness and contradictory emotions. This excellent catalogue is published in conjunction with an exhibition in cooperation between the Kunsthalle Wien and the Wurttembergisher Kunstverein Stuttgart.
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Seller's Description:
Used-Good. Familiar to American audiences from her critically acclaimed exhibition Free-falling at the Dia Center for the Arts, the Australian artist Tracey Moffatt is among the most carefully watched younger figures on the international scene. Of Aboriginal descent, Moffatt focuses on themes of the other, the unknown, the outcast, and the marginal. In her photographs and videos, she shows the complex interweaving of human relationships, forged by ethnic, social, and gender differences. Moffatt does not, however, aim to capture reality but to create her own reality. In her photographic work, the past, present, and future of the protagonists seem to gel together into a surreal simultaneity. At the same time, the presence of the other in the picture creates an often unsettling still life of atmospheric strangeness and contradictory emotions. This excellent catalogue is published in conjunction with an exhibition in cooperation between the Kunsthalle Wien and the Wurttembergisher Kunstverein Stuttgart. Book has some scuffing to outside. Edges and corners have mild wear. Book is crisp and free of markings. Binding feels good.
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Seller's Description:
Like New. First Edition, First Printing (Full Number Line). Not price-clipped. Published by Cantz, 1998. Quarto. Pictorial wraps. Book is like new with no writing. Sharp corners and spine straight. Binding tight. A lovely copy of this Moffatt photo collection. 132 pages. ISBN: 3893224238. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
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Seller's Description:
Fine. 3893224238. Numerous illustrations in color and black and white. With essays by Martin Hentschel; John Yau, and Bert Rebhandl. Interview with the artist by Gerald Matt. Text in English and German.; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library.; Oblong 4to; 128 pages.
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Seller's Description:
Near Fine. No dust jacket as issued. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs, mixed-media works and films by Tracey Moffatt. Essays (in German and English) by John Yau, Martin Hentschel and Bert Rebhandl. Interview with the artist by Gerald Matt. Includes a biography, exhibition history, bibliography and a list of works. 132 pp., with four-color and duotone plates throughout. 8-1/4 x 11-1/4 inches. Published on the occasion of an exhibition at Kunsthalle Wien, which traveled to numerous other venues. Near Fine (light surface wear, else Fine).
