Long accustomed to writing in the tradition of the flamboyant kabuki, Japanese dramatists had a more difficult struggle in modernizing their art than did writers of fiction and poetry. The work of Kishida Kunio, however, established and matured modern Japanese drama, modeled on the western psychological drama of Ibsen and Chekhov. J. Thomas Rimer traces the initial modernization efforts undertaken by the first generation of Japanese playwrights of the shingeki, or "New Theatre.'" His study then concentrates on the work of ...
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Long accustomed to writing in the tradition of the flamboyant kabuki, Japanese dramatists had a more difficult struggle in modernizing their art than did writers of fiction and poetry. The work of Kishida Kunio, however, established and matured modern Japanese drama, modeled on the western psychological drama of Ibsen and Chekhov. J. Thomas Rimer traces the initial modernization efforts undertaken by the first generation of Japanese playwrights of the shingeki, or "New Theatre.'" His study then concentrates on the work of Kishida Kunio, the most important figure in the Japanese theatre of the 1930s and 1940s. Kishida, who studied with the well-known French director Jacques Copeau in 1921, returned to Japan with the goal of establishing a modern drama of psychological dimensions for the Japanese theatre. His work demonstrated his talent as a playwright and laid the foundation for later modern Japanese playwrights. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Add this copy of Toward a Modern Japanese Theatre: Kishida Kunio to cart. $19.50, like new condition, Sold by Abacus Bookshop rated 4.0 out of 5 stars, ships from Pittsford, NY, UNITED STATES, published 1974 by Princeton University Press.
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Very Good in Very Good jacket. Size: 9x6x1; From the collection of A. C. Scott, one of the foremost pioneers in the study and practice of Asian theater in the West. Known for his translations, interpretations and direction of the kabuki, jinju and bunraku forms of performance, Scott's work helped both preserve and expand the underlying artistic principles for Western audiences, particularly through his program at the University of Wisconsin-Madison. (Asian Theatre Journal 28: 2). This copy bears Scott's signature on the front end page. Princeton University Press, 1974; no additional printings indicated; viii, 306pp. Binding is tight, sturdy, and square; very minor wear to edges of black cloth boards, stamped white/gray/gilt titling remains bright and bold; text, photos very good. Minor wear to edges of clipped dust jacket; jacket arrives wrapped in protective mylar. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.
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