Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a ...
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Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. With usual stamps and markings, In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 450grams, ISBN:
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Seller's Description:
Fair. No Jacket. Size: 5 1/2" x 7 1/2"; FAIR /NO DUST JACKET. 173 pp. Text clean and unmarked. Pages slightly yellowed. First five leaves waterstained at top right corner. Front loose endpaper missing. All edges gilt. Illustrated with frontispiece engraving in b/w and twelve full page engravings in b/w throughout the text. Red textured cloth boards decorated at front with gilt border and gilt illustration of man driving 2-wheeled carriage. Boards lightly soiled, all edges rubbed, corners bumped and worn to boards. Front board detached, back hinge cracked, but holding, backstrip missing. Textblock intact and firm. Mark Lemon was the first editor of Punch, and Hablot K. Browne, known as Phiz, was a well-known illustrator of books, including those of Charles Dickens.
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Seller's Description:
Handsomely bound, ca. 1920s, by Rivière & Sons (stamp-signed to upper turn-in) in emerald green crushed morocco with original cloth bound in. French fillets. Five gilt ruled raised bands, six elaborately gilt decorated compartments. Wide, gilt turn-ins. Double ruled edges. All edges gilt. [8], 173, [1, blank], [2, adverts] pages. Thirteen black and white plates including frontispiece. A few small stains to upper cover, light spots of foxing to two leaves, otherwise a fine and most handsomely bound copy. Featuring fourteen short stories in the sporting fiction genre written in their entirety (rather than merely edited) by journalist, novelist, playwright and actor Mark Lemon (1809-1870). Lemon was co-founder and for 30 years editor of Punch; Tom Moody was a pseudonym first adopted by Lemon in 1834 for a series of pieces that appeared in the New Sporting Magazine. As an actor he appeared in his friend Charles Dickens's private theatricals at Tavistock House. He was a friend of illustrator George Cruikshank, Wm. Makepeace Thackeray, and many other lights of his day. In short, he stood near the center of London's intellectual circle. Of Hablot K. Brown, the illustrator known as Phiz who was Dicken's primary illustrator, little need be added here. His illustrations for each of the stories herein possess all the amusing charm that he is known for. CBEL, p. 2006.
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