The book studies the relations between time and visual technologies in the oeuvre of Thomas Pynchon within the framework of the culture and politics of time. By examining photography, cinema, tv, computers, and the Internet, it puts Pynchon's engagement with these technologies into a perspective that elucidates their workings as time machines.
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The book studies the relations between time and visual technologies in the oeuvre of Thomas Pynchon within the framework of the culture and politics of time. By examining photography, cinema, tv, computers, and the Internet, it puts Pynchon's engagement with these technologies into a perspective that elucidates their workings as time machines.
Read Less
