In March 1953, seventeen years before he received the Nobel Prize, Alexander Solzhenitsyn ended his term in the Ekibastuz labor camp with the play Victory Celebrations and seven of the twelve scenes of Prisoners committed to memory. During his ensuing internal exile, he completed Prisoners and started another play, The Love-Girl and the Innocent . The result is a dramatic trilogy focusing on events of the year 1945: the Russian army's advance into East Prussia and the "repatriation" of former Russian prisoners of war ...
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In March 1953, seventeen years before he received the Nobel Prize, Alexander Solzhenitsyn ended his term in the Ekibastuz labor camp with the play Victory Celebrations and seven of the twelve scenes of Prisoners committed to memory. During his ensuing internal exile, he completed Prisoners and started another play, The Love-Girl and the Innocent . The result is a dramatic trilogy focusing on events of the year 1945: the Russian army's advance into East Prussia and the "repatriation" of former Russian prisoners of war to the Gulag labor camps. The three plays transmute Solzhenitsyn's own bitter experience of war and imprisonment. In Victory Celebrations (translated by Helen Rapp and Nancy Thomas), one can recognize the author in Sergei Nerzhin, a captain in a Soviet artillery battalion whose staff improvises a banquet in a captured castle in East Prussia. Celebration turns to conflict when Nerzhin sides with Galina--a Russian emigree whose husband is fighting with the Germans--against Lieutenant Gridnev, an officer in military counter-intelligence who insists Galina is a spy. Prisoners (translated by Helen Rapp and Nancy Thomas, and based in part on Solzhenitsyn's own initial arrest and captivity) follows a group of political prisoners, including ex-POWs, from their arrival in a Soviet prison on the Prussian border through their perfunctory interrogation, trial, and conviction. Solzhenitsyn's alter-ego in The Love-Girl and the Innocent (translated by Nicholas Bethell and David Burg) is Rodion Nemov, a new prisoner in a labor camp whi is unwilling to compromise in order to survive. This final play in the trilogy is, as Martin Esslin wrote of the 1981 Royal Shakespeare Company production, "a classic portrayal of the Gulag." These plays from the 1950s are among the Nobel laureate's earlier writings. But in his indignation at injustice and moral bankruptcy, Solzhenitsyn the playwright prefigures Solzhenitsyn the great novelist.
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Very Good. First Edition, First Printing. Not price-clipped ($12.95 price intact). Published by Farrar Straus Giroux, 1986. Octavo. Book is very good with previous owner name and inscription on half-title page. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
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Fine. Trade paperback (US). Glued binding. 368 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
New. Trade paperback (US). Glued binding. 368 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
