The music on This Is How I Feel About Jazz is from a period when arranger Quincy Jones was a major part of the jazz world, rather than being content just to take bows for it. Six high-quality selections from a 1956 album offer logical, swinging, and often distinct arrangements with plenty of solos from the all-star cast (which includes Lucky Thompson on tenor, altoist Phil Woods, and trumpeter Art Farmer). Highlights include "Stockholm Sweetnin'," "Walkin'," and "Sermonette." The remainder of the CD reissues two-thirds of a ...
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The music on This Is How I Feel About Jazz is from a period when arranger Quincy Jones was a major part of the jazz world, rather than being content just to take bows for it. Six high-quality selections from a 1956 album offer logical, swinging, and often distinct arrangements with plenty of solos from the all-star cast (which includes Lucky Thompson on tenor, altoist Phil Woods, and trumpeter Art Farmer). Highlights include "Stockholm Sweetnin'," "Walkin'," and "Sermonette." The remainder of the CD reissues two-thirds of a slightly odd collection led and produced (but not arranged) by Jones. Originally titled Go West, Man!, the LP was designed to show off the talents of West Coast jazz arrangers Jimmy Giuffre, Lennie Niehaus, and Charlie Mariano. Three selections feature an alto summit with Benny Carter, Art Pepper, Herb Geller, and Charlie Mariano, and there are also some numbers with a sax section; three songs with a trumpet section had to be left out due to lack of space. Although these performances are enjoyable, it is the Quincy Jones charts that are most memorable, making one regret his decision in the early '70s to leave jazz altogether. [This version of the album includes bonus material.] ~ Scott Yanow, Rovi
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