Thirteen outstanding short stories by Welty, written between 1937 and 1951. "Miss Welty has written some of the finest short stories of modern times" (Orville Prescott, New York Times). Selected and with an Introduction by Ruth M. Vande Kieft.
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Thirteen outstanding short stories by Welty, written between 1937 and 1951. "Miss Welty has written some of the finest short stories of modern times" (Orville Prescott, New York Times). Selected and with an Introduction by Ruth M. Vande Kieft.
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Fine. Trade paperback (US). Glued binding. 252 p. Harvest Book. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Book is in good condition. Minimal signs of wear. It May have markings or highlights but kept to only a few pages. May not come with supplemental materials if applicable.
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This item shows signs of wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact, but may have aesthetic issues such as small tears, bends, scratches, and scuffs. Spine may also show signs of wear. Pages may include some notes and highlighting. May include "From the library of" labels. Satisfaction Guaranteed.
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Very good. A well-cared-for item that has seen limited use but remains in great condition. The item is complete, unmarked, and undamaged, but may show some limited signs of wear. Item works perfectly. Pages are intact and not marred by notes or highlighting. The spine is undamaged.
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Very good. Book is very good, straight and tight. There are no markings in the book. Trade paperback (US). Glued binding. 252 p. Harvest Book. Audience: General/trade.
Critic Leslie Fiedler assigned Eudora Welty to the distaff side of Southern Gothic fiction along with Flannery O'Connor and Carson McCullers. But Thirteen Stories, a representative sampling, demonstrates the author's rich, lyrical prose in its impassioned feel for light, color, and weather, her vivid portraiture of place (particularly Mississippi's Natchez Trace, Jackson, and the Yazoo Delta), her creation of widely diverse characters, her ability to describe subtle, interior states of feeling (the influence of Virginia Woolf is clear), and the art to merge the comic and the grotesque to present an idiosyncratic, often comic view of the South.
In stories that are "written by ear" like "Why I Live at the P.O.," Welty lovingly recreates Southern idioms and speech to disclose a way of life, a common wellspring of social traditions, biases, eccentricities, and humor. Other stories present characters who are alienated and marginal to society. In "A Still Moment," the three main characters--including Audubon--are unable to convey the meaning of their private visions, each alone in his obsession. "A Worn Path" follow an aged black woman Phoenix on her symbolic journey to obtain medicine for her sick grandson. "Powerhouse" is modeled after the jazz pianist Fats Waller, and dream and reality are undifferentiated; the contemporary reader may feel some unease about descriptions such as "obscene, hideous, barbarous, monstrous." That caveat aside, this selection suggests the astonishing range of this Southern writer's work (amply displayed in her Collected Stories).
